by Lindsay Ward ; illustrated by Lindsay Ward ‧ RELEASE DATE: Sept. 28, 2021
Mixed metaphors cloud the power of this familiar message.
A vibrant neighborhood loses its color, literally, as the community becomes fractured.
Color is not a subtle metaphor in this story of a time when “the colors were swept from our street,” told by an unnamed boy with pale skin. Initially, loose-lined illustrations depict a lively city block in bright hues, but as the “sounds became quieter,” the colors begin to fade. Then, after a violent storm of jagged yellow streaks and bursts of fiery sparks, the color is completely gone. Not only are the city and its residents now composed only of cartoony black lines, but on the ground there is a dark rupture (another line) that divides the neighborhood. In one illustration, the boy stands on one side of the split while a girl with dark skin stands on the other. Is the rift a racial one? The next illustration shows the same children indoors, waving at each other through their windows. Does this “empty sadness” that lasts a year represent the Covid-19 pandemic? Is the emphasis on lines a commentary on society’s disconnectedness? Unfortunately, this year any of these interpretations could be true, and the myriad possibilities dilute a clear message. Nevertheless, the boy decides to do the hard work of clearing the rubble the storm left behind, and as neighbors join in to help, smiles and laughter return, bringing, predictably, the color back.
Mixed metaphors cloud the power of this familiar message. (Picture book. 4-8)Pub Date: Sept. 28, 2021
ISBN: 978-1-5420-2690-1
Page Count: 48
Publisher: Two Lions
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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