Enjoy for the subject matter and design, search elsewhere for heart and character.
With balloons and a carousel taking center stage, this nocturnal fantasy will provide a pleasurable lift for young audiences.
When Emma passes the polar bear on the merry-go-round, she notices a message tucked into his saddle: The titular request includes text and a drawing, so pre-readers can help decipher its meaning. On her way to school the next day, the red-haired protagonist affixes a red, polka-dot balloon to the bear’s pole. Returning in the afternoon, she finds a second note requesting more. After the bountiful bunches are attached to the animal, the pair is carried aloft through the sunset and the stars until they reach the snowy Arctic and, in a double gatefold opening, the “polar bear rumpus.” Lined paper, spattered night skies, and washes of white paint over maps and algebraic equations infuse Ward’s cut-paper, pencil and watercolor collages with texture and interest. Her brilliantly hued days contrast with the midnight blue journey and return home. The plot comes full circle when a new message is found. Although this has a stronger storyline than the author’s When Blue Met Egg (2012), a book that felt like a vehicle for collages of New York City, Ward’s dramatic arc is weak, and the voice needs stylistic development.
Enjoy for the subject matter and design, search elsewhere for heart and character. (Picture book. 3-5)Pub Date: Oct. 17, 2013
ISBN: 978-0-8037-3878-2
Page Count: 32
Publisher: Dial Books
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Perfect for every underdog who wants to have a say.
A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.
From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.
Perfect for every underdog who wants to have a say. (Picture book. 3-5)Pub Date: Sept. 16, 2025
ISBN: 9780316581721
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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