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ALL WHO ARE LOST

ASHMORE'S FOLLY TRILOGY: BOOK ONE

A dense, thorny romance full of multidimensional, morally ambiguous characters struggling to find peace despite sins of the...

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Equal parts family drama and shadowy romance, a story about three sisters in love with the same man.

Forrest, in her debut novel, writes of love, loss and the danger of keeping secrets. Showcasing a large cast of characters, the novel centers on Laura Abbott, an international celebrity who performs under the name Cat Courtney. She’s the youngest of the Abbott sisters, musical daughters of a domineering, abusive man who murdered his own wife by throwing her into the sea years before the novel’s opening. As the story begins, readers learn that Laura is still very much obsessed with Richard Ashmore, an iconic figure from her past. Richard was her childhood crush, though he ultimately married her oldest sister, Diana. At the tail end of her traumatic childhood, Laura ran away from home, likely never to return. She made a new life for herself under her alias, married a wealthy man, moved to London and refused to accept any contact from her family. However, after her husband is killed in the attacks on 9/11, Laura yearns for the people she had sworn off years before. At long last, she returns to her childhood home in Virginia, digging up old ghosts and confronting her demons. As the complex plot unfolds, Forrest frequently peppers the present with varying layers of flashback. Laura tries to move forward and mend old wounds, revealing an increasing amount about the many secrets and mistakes of her past. As time shifts through this complicated story, readers must work hard to keep up and piece together the details of Laura and Richard’s harrowing history. The story contains unexpected darkness and foreboding that lurk in the hearts of her characters and in the themes of the story itself. A cliffhanger ending promises a sequel or two.

A dense, thorny romance full of multidimensional, morally ambiguous characters struggling to find peace despite sins of the past.

Pub Date: Aug. 26, 2014

ISBN: 978-1941521014

Page Count: 522

Publisher: St. John Publishing Group, Inc.

Review Posted Online: Dec. 31, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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