A fitfully effective but readable start to a mystery series.
A serial killer targets girls as a woman searches relentlessly for her long-lost daughter in this novel.
Miranda Steele is as tough as her name. She can hold her own in a hot pepper–eating contest, swear like a stevedore, and dispatch bar creeps with some well-placed, high-heeled stomps and kicks. In short, as someone observes, “Girl’s a real scrapper.” But it was not always thus. Thirteen years earlier, she was the verbally and physically abused wife of a policeman who one night literally threw her out into the snow, but not before giving up their infant daughter for adoption. #MeToo? She’s more like #NoMore. Since then, she has toughened up, moved from city to city searching for her daughter, and supported herself by welding girders on a New York skyscraper, harvesting crab on a Maine fishing boat, and performing various jobs on a Texas oil rig. Now working construction in Pittsburgh, she is contacted by a volunteer with an adoption reunion agency who has a solid lead on her daughter’s whereabouts. She heads to Atlanta’s tony Buckhead community, where she meets wealthy and handsome Wade Parker, “Atlanta’s ace detective” and “the town’s most eligible 44-year-old bachelor.” Initial distrust transforms into a partnership as they investigate the murder of a local 13-year-old girl with whom Parker has a family connection. Miranda worries that the victim could be her daughter. This series launch is an appealing mashup of gritty serial killer thriller and romance novel (“ ‘Don’t tempt me, Miranda.’ She gazed into those knowing, deep gray eyes. ‘Why not?’ she murmured. ‘You’ve been tempting me since the first night I saw you’ ”). Lanier (Mind Bender, 2017, etc.) has created an empowered and formidable heroine. But her writing is as subtle as one of those hot peppers Miranda crunches. “I made myself strong,” Miranda defiantly tells Parker at one point. “I vowed to myself that no one would ever hurt me like that again. Never….Do you hear me? Never.” In comedy, there is a rule of three. There should be a rule of two for crime fiction. “A woman can never make herself too tough or too strong” gets the job done. Adding “or too street smart” is overkill.
A fitfully effective but readable start to a mystery series.Pub Date: N/A
ISBN: 978-1-941191-12-5
Page Count: 271
Publisher: Felicity Books
Review Posted Online: Feb. 15, 2018
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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