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THE SORCERER'S APPRENTICES

A SEASON IN THE KITCHEN AT FERRAN ADRIÀ'S ELBULLI

A slow-motion gastronomical feast and a rare chance for gourmet enthusiasts to witness the creative process behind some of...

Granted unprecedented access to the inner workings of perhaps the world’s most renowned restaurant, Time magazine Spain correspondent Abend follows 35 apprentices through the rigors of kitchen life and culinary invention under the tutelage of the “most famous chef in the world.”

Few restaurants are more revered than elBulli in Catalonia, Spain, a five-time winner of Restaurant magazine’s Best Restaurant in the World. Its owner-chef, Ferran Adrià, who has three Michelin stars, is universally recognized as the most influential pioneer of the avant-garde cuisine movement sometimes known as “molecular gastronomy,” a seriously playful style of cooking emphasizing textural, visual, olfactory and gustatory wit and deconstruction. It was at elBulli that Adrià and his chefs Eduard Xatruch and Oriol Castro invented those startling savory foams, liquid-nitrogen sorbets and spherified sauces that “permi[t] the diner to eat liquids, not drink them.” Getting a table at elBulli is the gourmet equivalent of winning the lottery, and the cooks who come to work—as unpaid apprentices—in its kitchens start out thinking themselves just as lucky. Ostensibly, these apprentices—the stagiaires—are the story’s focus. We learn about their lives, career aspirations and frustrations with the surprisingly tedious work required. Unfortunately, few of the stagiaires ever come to life enough for the reader to care, and the narrative occasionally wanders. No wonder, perhaps: Like the fresh apprentices, Abend seems too awestruck by Adrià’s genius to do more than offer praise. In a typical formulation, she claims, for example, that his work “represents the greatest rupture ever in the history of cuisine.” Nonetheless, Adrià isn’t the real hero—it’s the food. The author provides countless descriptions of an undeniably dazzling creative process and of foods that, even on paper, have the power to delight and amuse.

A slow-motion gastronomical feast and a rare chance for gourmet enthusiasts to witness the creative process behind some of the world’s most innovative cuisine.

Pub Date: March 22, 2011

ISBN: 978-1-4391-7555-2

Page Count: 256

Publisher: Free Press

Review Posted Online: Jan. 8, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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