An unsparing exploration of the injustices wrought by misogyny and settler colonialism.
A bighearted portrait of an Indigenous woman whose transracial adoption spurs a lifelong quest to discover—or perhaps create—her identity.
Born in the 1970s to a White, unmarried teenage mother and a Métis/Cree father, Ruby is placed in foster care and eventually adopted by a White couple who “couldn’t afford to be too choosy” about the baby’s Indigenous heritage. Ruby’s adoptive father, a seldom-employed alcoholic, leaves the family when Ruby is an adolescent. Ruby remains unhappily with her mother, Alice, who makes her wear a huge hat because her skin "instantly browned up in the sun" and who won’t help her daughter research her Indigenous roots. Deprived of both her own history and real affection as she comes of age, Ruby grasps for satisfaction where she can find it, often resorting to alcohol and sex with unworthy partners. The novel is composed of chapters dated by year and titled with the names of people who have shaped Ruby, including her adoptive and biological parents, boyfriends, and social workers. The random ordering of the vignettes—ranging from 1950 to 2018—can be confusing. Some chapters are told from Ruby's perspective and involve figures in her life, while others assume the points of view of family members Ruby never meets. The chapter about Ruby's pregnant birth mother is a heartbreaking account of what happens when women lack reproductive freedom, and the chapter that follows Ruby's grandfather convincingly renders the abuse he suffers as a student at one of Canada’s notorious residential schools for Indigenous children. Sometimes the fragmented narrative is unsatisfying: As soon as one character’s central trauma is revealed, the novel moves on to another, leaving little opportunity for development. Only Ruby is fully realized by the end. But readers may forgive clunky prose and spans of exposition for the chance to spend time with this complicated character with a big laugh and a guarded but vulnerable heart.
An unsparing exploration of the injustices wrought by misogyny and settler colonialism.Pub Date: April 5, 2022
ISBN: 978-0-593-44867-0
Page Count: 304
Publisher: Hogarth
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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