Brackmann strikes exactly the right mood in this frantic look at an ordinary woman who can’t seem to claw her way out of the...
Brackmann (Rock Paper Tiger, 2010) returns with a thriller set in the Mexican resort city of Puerto Vallarta.
Michelle, who has lost both her husband and her financial foothold, meets a handsome stranger, Daniel, while she’s on vacation in Puerto Vallarta. But when that stranger turns out not to be the man he seems to be, Michelle finds herself stuck in a terrible state of déjà vu: Her late husband, Tom, left her deep in debt and wondering how she could have been married to a man who could sustain so many lies. After two men break into Michelle’s hotel room and beat Daniel, sending him to the hospital, Michelle discovers their phones have been switched. She tracks Daniel after finding his friends at their local hangout and stumbles into a frightening situation that Daniel attributes to his friend Gary’s odd sense of humor. When Michelle attempts to leave Mexico behind and return to California and what remains of her life, she finds herself in a Mexican jail on a trumped-up charge of drug possession. Soon, Michelle finds that few in the expatriate community of Puerto Vallarta are really who or what they have pretended to be, and her world has now been diminished to a single objective: Get out of Mexico alive. Brackmann paints Michelle as a woman who has spent most of her life taking Pilates classes and decorating her upper middleclass home only to find that her husband was a complete fake. Unable to see much of a future for herself, she’s suddenly thrust into a world where brutal drug dealers rule and fear is her everyday companion. Caught between two men and unsure which one is the bad guy and which one is the good guy, or even if there is a good guy, the author offers a darkly plausible plot that might make readers think twice about making casual acquaintances on holidays.
Brackmann strikes exactly the right mood in this frantic look at an ordinary woman who can’t seem to claw her way out of the mess in which she’s managed to land.Pub Date: May 1, 2012
ISBN: 978-1-61695-071-2
Page Count: 304
Publisher: Soho
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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