An impressively understated, respectful exploration of a big change.
The characters from The Airport Book (2016) and The Hospital Book (2023) help young readers make sense of another challenging childhood experience: moving.
“Our family moves a lot,” a child in a baseball cap tells a younger sibling. “But you probably don’t remember.” As the young narrator reminisces about the family’s “tiny apartment in a big house,” the accompanying image shows Mom, clearly expecting, dressing a younger, diaper-clad version of the protagonist. Later, they relocated to “the tall building with a lot of stairs.” Here, the bigger sibling rests on the stairs while Dad, baby in a front pack, lugs a grocery bag. When they lived in “the big building with three elevators,” trick-or-treating took place indoors, and “Grandpa lived far away, but Nana and Poppa were near.” Finally, the narrator asks, “Remember when we moved into this house?” A “sold” sign by the door hints that more moving’s in store. “Sometimes I don’t want to move,” the narrator confides, but in the final pages, the new house, with its bunk beds and lovely garden, looks a lot like home. Relying on a pitch-perfect combination of minimal text and expansive artwork, Brown once more offers a richly vivid, honest, and reassuring depiction of a potentially unfamiliar experience. Her colorful, clean-lined cartoons are full of sweet vignettes—each scene is practically a story in itself—and charming, humorous details that often gently contradict the text. The family is multiracial; Dad and the children are brown-skinned, while Mom is pale-skinned.
An impressively understated, respectful exploration of a big change. (Picture book. 3-7)Pub Date: July 22, 2025
ISBN: 9780823457182
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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