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FRAN’S FRIEND

Fred the dog wants to play; with a ball clutched in his mouth, he pads on fuzzy paws, over to where Fran is working away. Unfortunately, Fran, her desk heaped with paper, scissors, crayons, paste, and tape, is just too busy. Attempting again and again to help Fran with her project, Fred soon finds that he’s simply in the way. Disappointed and a little hurt, Fred curls up in his bed and waits. He doesn’t have to wait long as Fran finishes her project and shows Fred the card that she’s made for her “best friend in the whole wide world,” Fred. A final spread features Fran and Fred, best friends heading out to play ball, finally, with the card propped up in the background. Though the story is slight, it’s the illustrations that will draw a crowd. Bold and bright, they fill the oversized pages with vivid color and capture both the emotions and the frenzied activity of the young girl and her dog as they try to understand each other. Indeed, the medium is so rich it almost seems three-dimensional. As an aside, Fred’s thoughts (in a less formal typeface) appear near him as he tries to communicate with Fran. These are two cute characters who offer terrific visual appeal for story time—their tale is sure to be a hit with dog lovers. (Picture book. 4-7)

Pub Date: March 1, 2003

ISBN: 1-58234-777-8

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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DON'T TRUST FISH

A ribald and uproarious warning to those unschooled in fishy goings-on.

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Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.

The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).

A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)

Pub Date: April 8, 2025

ISBN: 9780593616673

Page Count: 40

Publisher: Dial Books

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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