adapted by Lisa Campbell Ernst & illustrated by Lisa Campbell Ernst ‧ RELEASE DATE: March 1, 2001
One of the Grimms’ funnier and lesser-known tales receives an expansion and a new ending. When the Queen hears that Zelda, the Royal Baker’s daughter, loves to spin, she immediately promises Zelda her son’s hand in marriage if she can spin three great roomsful of flax. It sounds like a good deal—except that Zelda hates to spin, hates work of any sort. All appears to be lost, until three very peculiar fairies arrive to help; one has a grotesquely large foot, another’s tongue sticks out permanently, and the third has a bizarre, swollen thumb—all due to the fairies’ inordinate love of spinning. This offering hews quite closely to the original story, expanding somewhat to develop character and adding some contemporary dialogue (“Gross!” Zelda exclaims when the fairies offer to teach her to spin). When the fairies arrive at the girl’s wedding and are introduced as her “cousins,” the prince is so repulsed by their spinning-induced deformities that he begs his mother that his bride be relieved of all future spinning duties. The Grimms’ tale ends here, but Ernst (Sea, Sand, Me!, 2001, etc.) adds a postscript that gives her disagreeable heroine her comeuppance: the Queen, under the impression that Zelda is an industrious sort, makes her the Royal Baker, a just desert missing from the original. The pastel line-and-watercolor illustrations invest each character with great personality, from the sly and petulant Zelda to the almost simple-mindedly genial fairies. While the message that industry is its own reward is never far from the top, the general silliness keeps didacticism from the story, making it one that kids are sure to ask for a second time. (Picture book/folktale. 5-8)
Pub Date: March 1, 2001
ISBN: 0-525-46826-9
Page Count: 40
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
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by Teri Sloat & Betty Huffman & illustrated by Teri Sloat ‧ RELEASE DATE: June 1, 2004
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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