Droll and decidedly un-ordinary.
A humorous look at problem-solving and monotony.
Peter, a tot with white skin and a mop of scribbly, brown hair, is bored. Usually he has fun with his friend Devin (who’s also white), but lately everything they do has gotten stale. At one point, he breaks: “Enough!…This is SUPER BORING! I’m out of HERE!” He stomps home and tries to think of other things he can do that would be more fun. He decides to celebrate a different holiday every day. He even devises his own rating system. There is the nine-star National Ice-Cream Sandwich Day and National Lighthouse Day (a paltry two). National Underwear Day (in which underwear is worn—all over) is “an unexpected 8 stars.” But when he wakes up one morning to find out there is “NO HOLIDAY,” he must rethink his plan. What if he makes up a holiday instead? National Ride Your Bike With No Hands Day starts strong but doesn’t go well (nor as badly as it might have). Neither does combining National Squirrel Appreciation Day with National Bubble Bath Day (although the squirrels have a blast). Perhaps a day can just be ordinary, and that can be fun too. Bakos’ playful illustrations amp up the silliness of this very child-friendly premise. Readers may note that the passage of time seems off, however. When he reunites with Devin, an offhand apology, “Sorry about how I acted the other day,” seems incongruent with how many holidays he must have celebrated.
Droll and decidedly un-ordinary. (Picture book. 3-7)Pub Date: June 23, 2020
ISBN: 978-1-5247-9240-4
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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