Lee’s self-aware, relentlessly honest narrator feels absolutely real, and her story cuts deep.
A long-simmering tragedy unfolds in the Kim family of California, from the 1980s to the early 2000s.
The title of Lee’s heartrending debut novel employs a Korean word that isn’t defined in the text. Most sources describe “han” as a collective feeling of sorrow, resentment, regret, and internalized anger stemming from the historical experience of suffering; the story of the Kims expresses this complex emotion in a number of ways. The novel opens in December 2001, when Jane Kim’s mother shows up unexpectedly at her apartment in San Francisco, announcing she’s planning to move into town from Jane’s childhood home in Napa. Jane is not happy to see her, explaining, “Our relationship had soured to the point where I’d become almost mute around her, a habit formed out of instinct and anger.” The elder Kims, who have recently split up after decades of incompatibility, arrived along with the wave of Koreans who came to the U.S. after the Immigration Act of 1965 removed restrictions on Asian arrivals; those optimistic times are now far in the past. Jane is in her last semester of law school, but plans to leave the state and apply for the bar somewhere else, seemingly to escape her parents. Later chapters revisit the childhood Jane shared with her brother, Kevin, both having had notable junior tennis careers, and track the unfolding of a serious crime Kevin committed in 2002, when he was a San Jose cop. Lee captures the culture of the Korean diaspora both with small details—a jar of kimchi buried in the yard for more than 10 years, dug up only when the house is sold—and with broader brush strokes. “We have a sense of loyalty, of obligation, as if we came into the world with it programmed in our DNA,” Jane observes. “Responsibility reaches beyond the filial, beyond members of our own families, encompassing an entire network of people with whom we share shame and grief and pride and a way of seeing something funny in the bleakest situations.” But it is at that last point that the author parts ways with the community. Lee’s refusal to find comedy in the Kims’ personalities and predicament is rare, and extremely effective.
Lee’s self-aware, relentlessly honest narrator feels absolutely real, and her story cuts deep.Pub Date: March 31, 2026
ISBN: 9781643757254
Page Count: 288
Publisher: Algonquin
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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