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THE ABOMINABLE SNOW TEACHER

Passen once again mines B-grade monster movies, as Irma Birnbaum—dubbed “the toughest teacher in town,” but “most obsessive” would be more like it—undergoes a third form- and character-altering transformation. School’s closed by snow, but Miss Birnbaum skis out to deliver homework, declaring, “I cannot let a day of education be wasted!” Not even a zap of electricity that turns her into a hairy monster stops her from assailing terrified children with test questions—until a mysterious whirlwind and a second zap cause her to lighten up. And, happily, shed the pelt. Portrayed as a formidable figure in pointy glasses and a towering gray beehive, Miss Birnbaum makes an intimidating figure even without the fur and paws. Her cheery closing proposal that the class build a snow fort rather than crack the books makes an object lesson in deceptive appearances—but Passen is recycling the same basic plotline, and children who have already met Miss Birnbaum in her previous incarnations may find it growing stale. (Picture book. 6-8)

Pub Date: Aug. 1, 2004

ISBN: 0-8050-7379-5

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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