A poignant parody of media blather, modern romance, and mangled justice, with sci-fi accents.
A novel explores extraterrestrial love in a topsy-turvy world.
In her latest book, Pell (Who’s Your Daddy, Baby?, 2012) graduates from romantic satire to sci-fi (with a healthy dose of romantic satire). Amethyst Adele “Addy” McCrory is a lonely, brilliant, brassy ex–TV reporter with a murder rap and an appointment with an electric chair named Old Sparkey. Prior to the gunplay that landed her behind bars, Addy and a hunky lawyer named Sean Michael O’Malibul had shared “heart-pumping lust, combined with mind-melding intellect.” But all is not right in their world in 2503 “on a planet called Malaprop, strikingly similar to a planet Malapropians would come to know through garbled, distorted radio transmissions as Hearth.” Malaprop is a backward world, full of sideways slogans, a retrograde justice system, tribes at war, and a scarifying history. It is a world, in other words, very much like Earth. There, Addy muses—for roughly 100 pages—on the tangled histories of Malaprop and Hearth (and Hearth’s holy book, an amusingly and disturbingly garbled version of Earth’s own sacred texts called The Word: The Book of Nirvana, a popular recording of which was first performed by “the punkish unfamiliar young apostle Kurt”). As with most histories, alternative histories, or historical satires, details pile up here but characters don’t stick around. Once readers reach the present, roughly halfway through the novel, they learn why Addy has been imprisoned. They are told of Mandy MacBeth, she of the “double chin that collapsed into her neck and could flatten the sex drive of any normal healthy male,” her persecution of Addy, her lust for Sean, and the comeuppance she eventually receives. The novel is enormously fun to read, filled with jokes and wry asides about the recognizable madness of a planet so like Earth. The levels of reality are so tangled here that readers trying to puzzle out just what happens at the end, when Addy may or may not have the chance at a new life, may be mildly frustrated by the deliberate ambiguity of the closing pages. But for Pell, plot was never the point: this is a wide-ranging satire, not a narrowly focused one, and the pleasure of the author’s voice—combined with the bounty of her imagination—makes the moments reading this book feel like time well spent.
A poignant parody of media blather, modern romance, and mangled justice, with sci-fi accents.Pub Date: Oct. 6, 2016
ISBN: 978-1-61296-731-8
Page Count: 310
Publisher: Black Rose Writing
Review Posted Online: Sept. 16, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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