A useful, even soothing choice for children undergoing a common transition.

SEE YOU ON A STARRY NIGHT

Juliet loves glitter, painting, cookie-dough ice cream, Van Gogh’s The Starry Night, and writing lists. She doesn’t love that she and her older sister, Miranda, have had to move away from Bakersfield to a beachfront San Diego cottage because her parents are divorcing.

The 11-year-old is immediately befriended by same-aged Emma, whose family lives near the beach and runs an ice cream shop. Together, the girls cast bottles with messages into the sea. Someone—using the signature “Some Kid at the Beach”—responds to Juliet’s message, challenging Juliet to try to make a wish come true for someone, both setting up a minor mystery and leading to a small, touching subplot. Advice for children experiencing a divorce comes thick and steady, making this a useful purchase for that group, if they are willing to overlook the rather slight storyline. Juliet is a likable-enough character, and her narrative voice mostly rings true as she alternately rages against her new situation and competently navigates it, assisted a great deal by extremely nice Emma and her remarkably pleasant family (whose mostly smooth road contrasts poignantly with Juliet’s new bumpy one) and by her older sister’s kind and calming advice. Nearly all the characters appear to be the white default.

A useful, even soothing choice for children undergoing a common transition. (Fiction. 9-12)

Pub Date: June 26, 2018

ISBN: 978-1-338-19574-3

Page Count: 256

Publisher: Scholastic

Review Posted Online: March 27, 2018

Kirkus Reviews Issue: April 15, 2018

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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Falters in its oversimplified portrayal of a complicated region and people.

GROUND ZERO

Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.

In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.

Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-24575-2

Page Count: 336

Publisher: Scholastic

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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