See’s gossamer weave of cultural detail and Chinese afterlife mythology forms an improbably inspiring tapestry of love and...
Foot-binding, opera and anorexia are feminist statements in See’s (Snowflower and the Secret Fan, 2005, etc.) ghost story set in 17th-century China.
The monumental (55-scene) opera Peony Pavilion, written in the twilight of the Ming Dynasty, tells the tale of Liniang, who defies convention by seeking to choose her own mate, then wastes away of lovesickness. Peony, coddled teenage daughter of the Chen clan, is not the only aristocratic maiden to be love-struck by the opera (still considered outré in China today). Although promised in an arranged marriage, Peony observes a “man-beautiful” poet from behind a screen at a performance of Pavilion, and she falls in love. Risking ruin, she meets him for chaste garden trysts to discuss poetry and qinq (emotion-ruled life). As her marriage approaches, Peony emulates Liniang’s self-starvation, devoting her time to annotating the pages of various editions of Pavilion. Through a tragedy of errors, Peony learns, on her deathbed, that her betrothed Wu Ren is her poet. After death, someone hides Peony’s ancestor tablet, condemning her to wander the earth as a “hungry ghost.” She visits Ren in dreams and pens more Pavilion marginalia. On a limbo-like “Viewing Terrace” she meets her grandmother, killed during the “Cataclysm,” the carnage marking the advent of the Manchu Dynasty. Horrified, Peony witnesses Ren’s marriage to her spoiled rival, Tan Ze. She molds Ze into an ideal wife, daughter-in-law and fellow Pavilion annotator. But Ze dies while pregnant, and is consigned to the Blood-Gathering Lake, special hell of women who fail at childbirth. In a world where women are punished in life and afterlife, the Manchus threaten more oppression, toward female literati who organize writing groups and publish their poetry. Peony atones for Ze’s fate by helping peasant girl Yi advance socially and buck the Manchu regime—by binding her feet. As Ren’s third wife, Yi joins Ze and Peony in coauthoring the groundbreaking Three Wives Commentary, which examines Peony Pavilion.
See’s gossamer weave of cultural detail and Chinese afterlife mythology forms an improbably inspiring tapestry of love and letters.Pub Date: July 3, 2007
ISBN: 978-1-4000-6466-3
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
When the leads are offstage, the novel approaches greatness in its inquiry into what it means to be a good person. But...
A literary war novel with a split personality, about a protagonist who loathes his dual character.
Ambition leads to excess in the sixth novel by Flanagan (Wanting, 2009, etc.), a prizewinning writer much renowned in his native Australia. The scenes of Australian POWs held by the Japanese have power and depth, as do the postwar transformations of soldiers on both sides. But the novel’s deep flaw is a pivotal plot development that aims at the literary heights of Anna Karenina and Madame Bovary but sounds too often like a swoon-worthy bodice ripper. “His pounding head, the pain in every movement and act and thought, seemed to have as its cause and remedy her, and only her and only her and only her,” rhapsodizes Dorrigo Evans, a surgeon who will be hailed as a national hero for his leadership in World War II, though he feels deeply unworthy. His obsession is Amy, a woman he met seemingly by chance, who has made the rest of his existence—including his fiancee—seem drab and lifeless. She returns his ardor and ups the ante: “God, she thought, how she wanted him, and how unseemly and unspeakable were the ways in which she wanted him.” Alas, it is not to be, for she is married to his uncle, and he has a war that will take him away, and each will think the other is dead. And those stretches are where the novel really comes alive, as they depict the brutality inflicted by the Japanese on the POWs who must build the Thai-Burma railway (which gives the novel its title) and ultimately illuminate their different values and their shared humanity.
When the leads are offstage, the novel approaches greatness in its inquiry into what it means to be a good person. But there’s too much “her body was a poem beyond memorising” for the novel to fulfill its considerable ambition.Pub Date: Aug. 14, 2014
ISBN: 978-0-385-35285-7
Page Count: 352
Publisher: Knopf
Review Posted Online: July 2, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK TO SCREEN
BOOK TO SCREEN
Although it's entering a crowded field of biographies, fictional or not, of various Founding Fathers, Cobbs' meticulous...
Cobbs' novel chronicles the difficult political and family life of Alexander Hamilton.
Well before the publication date of this novel, the Broadway musical based on Hamilton’s life will in all likelihood have won many Tony awards. Can another fictional re-examination of this controversial statesman succeed in saying anything new about Hamilton—and do it without rap songs? Hamilton’s story certainly invites dramatization. Born the illegitimate son of a runaway wife on the Caribbean island of Nevis and raised in St. Croix, Hamilton is disinherited in early adolescence when his mother dies of a malarial fever. His intelligence and grit net him a clerk position with an importer and then sponsorship to leave the islands for New York to further his education. Swept up in revolutionary fervor, he becomes George Washington’s aide-de-camp, eventually winning his own command but always bucking the disadvantages of his humble beginnings. He meets his future wife, Eliza, whose father, Philip Schuyler, is a New York landholder who throws in his lot with the Continentals. Chapters narrated by Eliza alternate with chapters narrated by Alexander, and the first half of the novel lacks momentum as the characters negotiate the ponderous logistics of courtship, marriage, intrigue, jockeying for position on the battlefield and in Washington’s Cabinet, etc. It isn’t until the end of the Revolutionary War that the plot thickens. Alexander, appointed the United States' first Treasury Secretary, puts out countless fiscal fires threatening the fledgling republic’s economy. He not only refuses to own slaves, but publicly advocates for abolition. He is subjected to much unfair opprobrium, largely, it appears, because he doesn't belong to the post-revolutionary boys’ club. James Monroe, James Madison, and Thomas Jefferson come off as particularly ignoble, and Aaron Burr seems downright sociopathic. Cobbs displays how Hamilton’s outsider status leaves him very little wiggle room: an extramarital affair which might have been hushed up in the right circles leads directly to his downfall.
Although it's entering a crowded field of biographies, fictional or not, of various Founding Fathers, Cobbs' meticulous account holds its own—even without catchy tunes.Pub Date: Aug. 2, 2016
ISBN: 978-1-62872-720-3
Page Count: 408
Publisher: Arcade
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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