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PEONY IN LOVE

See’s gossamer weave of cultural detail and Chinese afterlife mythology forms an improbably inspiring tapestry of love and...

Foot-binding, opera and anorexia are feminist statements in See’s (Snowflower and the Secret Fan, 2005, etc.) ghost story set in 17th-century China.

The monumental (55-scene) opera Peony Pavilion, written in the twilight of the Ming Dynasty, tells the tale of Liniang, who defies convention by seeking to choose her own mate, then wastes away of lovesickness. Peony, coddled teenage daughter of the Chen clan, is not the only aristocratic maiden to be love-struck by the opera (still considered outré in China today). Although promised in an arranged marriage, Peony observes a “man-beautiful” poet from behind a screen at a performance of Pavilion, and she falls in love. Risking ruin, she meets him for chaste garden trysts to discuss poetry and qinq (emotion-ruled life). As her marriage approaches, Peony emulates Liniang’s self-starvation, devoting her time to annotating the pages of various editions of Pavilion. Through a tragedy of errors, Peony learns, on her deathbed, that her betrothed Wu Ren is her poet. After death, someone hides Peony’s ancestor tablet, condemning her to wander the earth as a “hungry ghost.” She visits Ren in dreams and pens more Pavilion marginalia. On a limbo-like “Viewing Terrace” she meets her grandmother, killed during the “Cataclysm,” the carnage marking the advent of the Manchu Dynasty. Horrified, Peony witnesses Ren’s marriage to her spoiled rival, Tan Ze. She molds Ze into an ideal wife, daughter-in-law and fellow Pavilion annotator. But Ze dies while pregnant, and is consigned to the Blood-Gathering Lake, special hell of women who fail at childbirth. In a world where women are punished in life and afterlife, the Manchus threaten more oppression, toward female literati who organize writing groups and publish their poetry. Peony atones for Ze’s fate by helping peasant girl Yi advance socially and buck the Manchu regime—by binding her feet. As Ren’s third wife, Yi joins Ze and Peony in coauthoring the groundbreaking Three Wives Commentary, which examines Peony Pavilion.

See’s gossamer weave of cultural detail and Chinese afterlife mythology forms an improbably inspiring tapestry of love and letters.

Pub Date: July 3, 2007

ISBN: 978-1-4000-6466-3

Page Count: 304

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2007

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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