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THE TEA GIRL OF HUMMINGBIRD LANE

Still, a riveting exercise in fictional anthropology.

A woman from the Akha tribe of China’s Yunnan province becomes a tea entrepreneur as her daughter grows up in California.

See explores another facet of Chinese culture, one that readers may find obscure but intriguing. Li-Yan, the only daughter of a tea-growing family, is a child of the Akha “ethnic minority,” as groups in China who are not of the Han majority are known. The Akha are governed by their beliefs in spirits, cleansing rituals, taboos, and the dictates of village shamans. As a teenager, circa 1988, Li-Yan witnesses the death of newborn twins, killed by their father as custom requires, because the Akha consider twin-ship a birth defect: such infants are branded “human rejects.” The Akha, inhabiting rugged, inaccessible terrain, have avoided the full brunt of China’s experiments in social engineering, including the Great Leap Forward and its resultant famine, the Cultural Revolution, and the One Child policy. Li-Yan’s family harvests mostly from wild tea trees as opposed to terraced bushes, and their product is discovered by a connoisseur, Huang, who will alter Li-Yan’s destiny. The Akha encourage youthful sexual experimentation, but progeny outside marriage are automatically “rejects.” So when Li-Yan discovers she is pregnant by her absent fiance, San-pa, she hides, with her mother’s help, in the secret grove of ancient tea trees which is her birthright. After the infant is born, Li-Yan journeys on foot to a town where she gives up her child. Over the next 20 years, we follow Li-Yan as she marries and is widowed, escapes her village, becomes a tea seller, and marries a wealthy recycling mogul, Jin. The couple moves to Pasadena. Intermittent dispatches inform readers that, unbeknownst to Li-Yan, her daughter, named Haley by her adoptive parents, is also in Pasadena. Haley’s challenges as a privileged American daughter pale in contrast to Li-Yan’s far more elemental concerns. Although representing exhaustive research on See’s part, and certainly engrossing, the extensive elucidation of international adoption, tea arcana, and Akha lore threatens to overwhelm the human drama.

Still, a riveting exercise in fictional anthropology.

Pub Date: March 21, 2017

ISBN: 978-1-5011-5482-9

Page Count: 384

Publisher: Scribner

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

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