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OBJECTS OF OUR AFFECTION

UNCOVERING MY FAMILY’S PAST, ONE CHAIR, PISTOL, AND PICKLE FORK AT A TIME

Inspiring for family-history buffs but too staid for most general readers.

A sentimental history of family lore and furniture.

Following their mother’s death, former Philadelphia Inquirer Home & Design editor Tracy (Journalism/Washington and Lee Univ.) and her sister assumed the task of sifting through a household’s worth of antique furniture and collectibles. Faced with the dilemma of letting go of these long-treasured possessions, the author writes that “[w]e can, in fact, never be free of our stuff until we have dealt with the stories it carries.” Discussing her military family’s Canton china, the author begins with the story of her great-grandfather, a Civil War veteran who reared his family in varying remote Army outposts on the frontier. In 1900, his daughter Bess, Tracy’s grandmother, married a lieutenant and moved to Asia, where she was pregnant seven times. Sadly, due to tragedies like amoebic dysentery, only one of their children—the author’s mother—survived to adulthood. Interspersed with photos of family members and collectibles large and small—a sandalwood chest from China, a Spanish mission chest acquired in Manila, a so-called “George Washington chair,” where the first president may or may not have sat—the book is fueled by Tracy’s interest in unpacking old family lore by connecting the dots of her newly inherited possessions. These historical facts are relevant also because of the auction at which most of the items were sold. The author catalogues each piece, revealing multidimensional tales of how they came into her family’s possession and what each one represents (the dueling pistols, for instance, were once owned by Aaron Burr), and her newfound knowledge has the unsurprising effect of increasing her seller’s remorse. After the auction, Tracy furthered her thirst for information about her lineage by traveling to the Philippines.

Inspiring for family-history buffs but too staid for most general readers.

Pub Date: April 1, 2010

ISBN: 978-0-553-80726-4

Page Count: 250

Publisher: Bantam

Review Posted Online: Jan. 8, 2011

Kirkus Reviews Issue: March 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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