by Lisa Wheeler ; illustrated by Barry Gott ‧ RELEASE DATE: Oct. 1, 2013
Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an...
Wheeler, that rhyming dino-sports enthusiast, is back, this time with a survey of wrestling styles.
Leaving no mat unexplored, this encompasses everything from folkstyle wrestling to Greco-Roman and sumo and everything in between. Combining spot-on rhythms and rhymes with a narrative style that is akin to a sports announcer, the verses fly by as the dinosaurs gather to watch and participate in the Dino-Wrestling Jamboree. Each style of wrestling gets its own match, with the text often telling a bit about the style, its rules and/or its equipment. During the lucha libre event, the verse even includes a few Spanish vocabulary words, though, as with other wrestling terms, they are not defined in context: “The crowd goes loco—shouts and boos. / Ouch! That hit will leave a bruise.” Every detail is in Gott’s brightly colored cartoon illustrations—from the different uniforms the participants wear down to the little guy who holds the sign up with the dinosaurs’ species (handy, since Wheeler often shortens them) and wrestling style. They teem with action and testosterone. The text ends on a disturbing note, however—the WWD pro tag-team event turns into a riot, with the participants and fans brawling enough to bring down the tents.
Young wrestlers will find all the action and moves they are seeking within these pages, and the dinosaurs and rhymes are an added, entertaining bonus. (Picture book. 5-9)Pub Date: Oct. 1, 2013
ISBN: 978-1-4677-0212-6
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Lisa Bowes ; illustrated by James Hearne ‧ RELEASE DATE: Sept. 3, 2019
It’s a slam dunk
Lucy discovers that the way to learn to play basketball is with friends on a neighborhood court.
Lucy loves playing in the park, and one day she and her friends join their friend Ava and her cousin in their new favorite sport: basketball. Pro player Jermaine, aka “Coach J,” teaches all the basics—footwork, quick passes, dribbling, and a variety of shots. But he also encourages the players to keep trying when they miss, stresses the value of teamwork, and focuses on fun as they learn and later play a practice game. At the end of the workout, Coach J invites the young players to watch him and his team play. Written in loose rhyming couplets, the text has many near rhymes and inconsistent meter. While the storyline is predictable, the book is a good introduction to basketball terms, and young basketball players and fans will appreciate reading about themselves. Vivid silhouetted figures against a white background portray male and female players of several races; Lucy herself is white while Ava and Coach J are black. One young player competes from a wheelchair. A half page of backmatter explains the history of basketball, the NBA and its players, and wheelchair basketball, and one entry also explains the three-on-three basketball that the children play. The book publishes in a simultaneous French edition translated by Rachel Martinez.
It’s a slam dunk . (Picture book. 5-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-4598-1697-8
Page Count: 32
Publisher: Orca
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Lisa Bowes ; illustrated by James Hearne
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by Misty Copeland ; illustrated by Setor Fiadzigbey ‧ RELEASE DATE: Sept. 29, 2020
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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