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EVEN MONSTERS NEED TO SLEEP

Even if it doesn’t send kids straight off to dreamland, it will keep them looking; snuggled close with a grown-up, that’s...

Rhyming text and detailed, fantastic art invite readers to follow along with little monster’s bedtime reading.

The bedtime routine begins on wraparound jacket art that shows a little blue monster clad in a pink nightgown running away to the right on the front cover from her father, who pursues her from the back cover. In the frontmatter pages she first runs away toward the page turn on the title page and then is dragged, crying, into the book proper from the recto dedication page. The first page of the book proper shows her now calm and cuddled up in bed with her dad reading a book. Ensuing pages appear to be from the book they’re reading as they depict a series of fantastic creatures heading off to bed. The verse is usually written as three rhyming lines, with a fourth line breaking the rhyme and reading “Even Bigfoot needs to sleep” but substituting the word “Bigfoot” with “dragons” or “bridge trolls” or “giants” and so on. The gouache illustrations employ a saturated, vivid palette that isn’t at all restful in busy compositions filled with detail (three-legged ET’s in union suits; Frankenstein’s playful kitten). But moments like the spare, wordless final page or the spreads depicting a Yeti and a giant help give rest for the eyes.

Even if it doesn’t send kids straight off to dreamland, it will keep them looking; snuggled close with a grown-up, that’s not all bad. (Picture book. 2-5)

Pub Date: March 14, 2017

ISBN: 978-0-06-236640-5

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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BECAUSE I'M YOUR DAD

Funny though the illustrations are and loving though the text is, the book falls short due to lack of nuance.

Unabashed sentimentality dominates the text in this loving promise from a father to his child.

What saves this title from being just a syrupy pronouncement are the characters. Santat has good fun creating scenes for two hairy, horned monsters, the dad pickle green and the child a pleasing purple. The somewhat cuddly pair is comically shown participating in their less-than-ordinary activities like “having spaghetti for breakfast, French toast for dinner, and rocky road ice cream in the bathtub.” They play with robots, listen to really loud music, burp like champions and miss school to visit New York to share a hot dog. Readers will smile at the low-key humor in the pictures. The page stating, “Because I’m your dad, you can sometimes stay up late with me to watch TV” depicts the father asleep while the child sits on the sofa terrified by what is on the screen. Warm moments abound, as when little monster is rolled up by her father in a blanket like a burrito or when the dad checks the closet and under the bed for monsters. Zappa wrote this story for his daughter, and it overflows with genuine fatherly affection that he would like to pass on, since his father (avant-garde rocker Frank Zappa) did the same for him.

Funny though the illustrations are and loving though the text is, the book falls short due to lack of nuance. (Picture book. 2-5)

Pub Date: April 16, 2013

ISBN: 978-1-4231-4774-9

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

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MOVE!

Leave this on the shelf and take the kids outside to really move.

An interactive board book promises a variety of experiences.

A book that gets kids up and moving sounds like a great idea. The half-circle cutout of the spine and large handle formed by another die cut on the right side are intriguing. Unfortunately, the rhyming instructions for using the book as an exercise prop are confusing. Even adults will find themselves puzzled when told to “paddle the floor,” or to “hang on the handles. Step over the book. / You're a turtle in its shell! Go peek out and look.” The busy pictures shift perspective according to each scenario presented but give few visual clues. For example, the only hint of a dinosaur on the page where readers are told to “put this book to your mouth and let out a roar” like a dinosaur are the teeth that line the edges of what is meant to be a gaping maw. It’s not always obvious whether the book is meant to be facing readers or turned away from them, adding another layer of confusion. Furthermore, many of the instructions run counter to how young children are typically taught to treat books, as when they are told to step on it and then waddle or to lift it with their feet. The relatively thin board pages and weak handles will soon be torn by normal handling; following the directions in the text will only hasten the destruction.

Leave this on the shelf and take the kids outside to really move. (Board book. 3-5)

Pub Date: May 3, 2016

ISBN: 978-0-7611-8733-2

Page Count: 32

Publisher: Workman

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: July 1, 2016

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