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EVEN MONSTERS NEED TO SLEEP

Even if it doesn’t send kids straight off to dreamland, it will keep them looking; snuggled close with a grown-up, that’s...

Rhyming text and detailed, fantastic art invite readers to follow along with little monster’s bedtime reading.

The bedtime routine begins on wraparound jacket art that shows a little blue monster clad in a pink nightgown running away to the right on the front cover from her father, who pursues her from the back cover. In the frontmatter pages she first runs away toward the page turn on the title page and then is dragged, crying, into the book proper from the recto dedication page. The first page of the book proper shows her now calm and cuddled up in bed with her dad reading a book. Ensuing pages appear to be from the book they’re reading as they depict a series of fantastic creatures heading off to bed. The verse is usually written as three rhyming lines, with a fourth line breaking the rhyme and reading “Even Bigfoot needs to sleep” but substituting the word “Bigfoot” with “dragons” or “bridge trolls” or “giants” and so on. The gouache illustrations employ a saturated, vivid palette that isn’t at all restful in busy compositions filled with detail (three-legged ET’s in union suits; Frankenstein’s playful kitten). But moments like the spare, wordless final page or the spreads depicting a Yeti and a giant help give rest for the eyes.

Even if it doesn’t send kids straight off to dreamland, it will keep them looking; snuggled close with a grown-up, that’s not all bad. (Picture book. 2-5)

Pub Date: March 14, 2017

ISBN: 978-0-06-236640-5

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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THE HOUSE WITH NOBODY IN IT

A spooky house tour, unafraid to redefine what board books are capable of achieving.

Preschoolers, get ready for your first official ghost story.

“There is nobody in this house. There used to be somebody. But there is nobody now.” But is that true? As readers turn the pages of this board book, they pass through an array of rooms. In one, a ghost stands clearly to one side, the unseen narrator pointedly making no mention of it. As the narrative progressives, the ghost continues to peep from within (revealed through cleverly placed die-cuts), never acknowledged, always watching. The effect is both amusing and unnerving—in other words, classic Klassen. For some youngsters, the narrator’s refusal to mention the ghost will be a source of humor (and a chance to yell at the book). For others, it will be just the right amount of creepy, perhaps causing some to question whether a ghost truly is “nobody” at all. To set the mood, Klassen relies heavily on color; the first few rooms are brightly lit in the sun’s rays, but the home grows dimmer as readers proceed. Treating the book itself as a physical location begging to be explored (it’s even shaped like a house), Klassen extends the format beyond its usual limitations, allowing a short story of surprising depth to emerge.

A spooky house tour, unafraid to redefine what board books are capable of achieving. (Board book. 2-4)

Pub Date: July 14, 2026

ISBN: 9781536248289

Page Count: 18

Publisher: Candlewick

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: March 15, 2026

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MOVE!

Leave this on the shelf and take the kids outside to really move.

An interactive board book promises a variety of experiences.

A book that gets kids up and moving sounds like a great idea. The half-circle cutout of the spine and large handle formed by another die cut on the right side are intriguing. Unfortunately, the rhyming instructions for using the book as an exercise prop are confusing. Even adults will find themselves puzzled when told to “paddle the floor,” or to “hang on the handles. Step over the book. / You're a turtle in its shell! Go peek out and look.” The busy pictures shift perspective according to each scenario presented but give few visual clues. For example, the only hint of a dinosaur on the page where readers are told to “put this book to your mouth and let out a roar” like a dinosaur are the teeth that line the edges of what is meant to be a gaping maw. It’s not always obvious whether the book is meant to be facing readers or turned away from them, adding another layer of confusion. Furthermore, many of the instructions run counter to how young children are typically taught to treat books, as when they are told to step on it and then waddle or to lift it with their feet. The relatively thin board pages and weak handles will soon be torn by normal handling; following the directions in the text will only hasten the destruction.

Leave this on the shelf and take the kids outside to really move. (Board book. 3-5)

Pub Date: May 3, 2016

ISBN: 978-0-7611-8733-2

Page Count: 32

Publisher: Workman

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: July 1, 2016

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