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SAILOR MOO

COW AT SEA

A land-locked cow follows her dream—and finds lasting happiness—in Wheeler’s (Sixteen Cows, p. 348, etc.) humorous outing. In the opening spread, Moo stands before the fence that divides her grassy grazing land from the wheat field. “Moo watched the field of waving wheat, / and wished for ocean swells. / She sniffed the freshness of the grass, / but wished for ocean smells.” Not one to wait, Moo heads to the bay and boards a boat piloted by craggy cats. Goembel’s (The Night Iguana Left Home, 1999, etc.) finely wrought acrylic illustration brims with witty details, from the anthropomorphized crew drawing in a loaded fish net to the bristly captain, who wears an eye patch and hooked claw. He agrees to take Moo on in exchange for fresh milk. When a storm sends Moo overboard and she’s rescued by a pirate ship captained by Red Angus, her life takes an unexpected turn (“Red Angus gazed into her eyes. / His heart began to warm. / In Moo he’d found his dairy queen / and now he must reform”). The naturalistic accuracy of Goembel’s illustration adds to the humor of this most unusual situation, especially in the end, when a closing cameo zeroes in on Moo, Angus, and their calf Half-’n’-Half, enjoying ice-cream cones on the Jersey shore. (Picture book. 3-7)

Pub Date: July 1, 2002

ISBN: 0-689-84219-8

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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