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THE PRINCESSES OF ATLANTIS

Carly has lived in North Carolina all her life; her best friend Arlene moved there in second grade. At 12, Carly is beginning to realize that other kids make fun of Arlene’s bony arms and legs and of her assuredness; short and plump and awkward, Carly longs to be liked. The girls’ relationship is nicely plotted, and it is reflected in the novel they are writing of doomed Atlantis and its twin princesses, Eva and Lydia. The girls write together in Arlene’s attic room with stars on its ceiling. Contemporary chapters in Carly’s voice alternate with the Atlantis tale, mirroring the conflicts and resolutions in the girls’ lives (mirrors play a big role in both stories). Trying out for the class play, parental pressure to excel, and liking the boy who doesn’t like you loom as large as they do in real-life seventh grade. As the girls’ lives change—Carly shifts her allegiance—their princesses cope with their own crises, and eventually, everyone finds a new way to cope. While the language can be sharp and lovely, the narrative occasionally clunks and does not proceed smoothly. Still, the concept is appealing and will find its audience. (Fiction. 10-12)

Pub Date: April 1, 2001

ISBN: 0-8126-2855-1

Page Count: 184

Publisher: Cricket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2002

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MY LIFE AS A POTATO

On equal footing with a garden-variety potato.

The new kid in school endures becoming the school mascot.

Ben Hardy has never cared for potatoes, and this distaste has become a barrier to adjusting to life in his new Idaho town. His school’s mascot is the Spud, and after a series of misfortunes, Ben is enlisted to don the potato costume and cheer on his school’s team. Ben balances his duties as a life-sized potato against his desperate desire to hide the fact that he’s the dork in the suit. After all, his cute new crush, Jayla, wouldn’t be too impressed to discover Ben’s secret. The ensuing novel is a fairly boilerplate middle–grade narrative: snarky tween protagonist, the crush that isn’t quite what she seems, and a pair of best friends that have more going on than our hero initially believes. The author keeps the novel moving quickly, pushing forward with witty asides and narrative momentum so fast that readers won’t really mind that the plot’s spine is one they’ve encountered many times before. Once finished, readers will feel little resonance and move on to the next book in their to-read piles, but in the moment the novel is pleasant enough. Ben, Jayla, and Ben’s friend Hunter are white while Ellie, Ben’s other good pal, is Latina.

On equal footing with a garden-variety potato. (Fiction. 10-12)

Pub Date: March 24, 2020

ISBN: 978-0-593-11866-5

Page Count: 272

Publisher: Random House

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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CHARLIE JOE JACKSON'S GUIDE TO NOT READING

From the Charlie Joe Jackson series , Vol. 1

Debut author Greenwald takes on the persona of Charlie Joe Jackson, a middle-school boy who hates reading. His avoidance...

Charlie Joe will do just about anything to avoid reading in this humorous cautionary tale for book-hating middle-grade students.

Debut author Greenwald takes on the persona of Charlie Joe Jackson, a middle-school boy who hates reading. His avoidance techniques get him into serious trouble with his parents, his teachers and his friends. After a year of avoiding reading—paying off a friend in ice-cream sandwiches to read books for him and manipulating his friends so he won’t have to read for the all-important position-paper project—Charlie Joe is forced to spend his summer vacation writing a book about his poor choices. Charlie Joe’s insider knowledge of the inner machinations of middle-school cliques will make younger readers smile in anticipation, and his direct address to readers makes make him feel like an older buddy showing the way. Sprinkled into the narrative are “Charlie Joe’s Tips” to avoiding reading books, written on faux notebook paper, that serve as a little diversion from the plot. As amusing as this is, Charlie Joe’s voice is not consistent and occasionally jars with the intelligent, smart-guy sarcasm that characterizes most of Charlie Joe’s prose.

Pub Date: July 5, 2011

ISBN: 978-1-59643-691-6

Page Count: 224

Publisher: Roaring Brook Press

Review Posted Online: June 20, 2011

Kirkus Reviews Issue: June 15, 2011

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