Zwerger’s illustrations for this favorite Grimm Brothers’ tale make new the story of the geriatric animal quartet setting out for Bremen to join the town band. An aging donkey, less able to carry sacks to the mill, flees, and on the way meets three others who find themselves in a similar predicament, unable to live up to their respective masters’ expectations. As readers meet each animal, its portrait effectively elicits sympathy for the rejected souls. Their mournful eyes make contact with the reader, and miniature scenes float above the portraits, illustrating their predicaments. The one black, double-paged, night scene hilariously portrays the robbers before being rousted from their house by the band of four. Endpapers include the four in playful poses and stacked in multiple totem forms. Bell’s direct text and Zwerger’s expressive, luscious-colored portraits are sure to endear readers to the band and offer a simply told and thoroughly appealing version for younger listeners. A happy ending for all. (Picture book/fairytale. 4-8)
Pub Date: March 1, 2007
ISBN: 0-698-40042-9
Page Count: 32
Publisher: Minedition/Penguin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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