A page-turner whose puzzling mystery and psychological drama are rooted in plausible descriptions of teenage angst.

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THE SECRETS THEY LEFT BEHIND

A Buffalo cop who’s gone undercover for the FBI finds herself in a world of hurt.

Shea O’Connor is 23 but looks 18. That’s why the FBI used her to pose as a high school student to catch a serial killer, a case that left her scarred both physically and emotionally. The case is still under a gag order and Shea is back on boring patrol duty when FBI Agent Bill Walters asks her to work another case for him. Three freshmen college friends all went missing the same night in the little town of Kelly’s Falls, New York. Against her better judgment, Shea accepts and is set up as Shea Anderson, a transfer to Harris Community College whose parents were killed in a car accident and whose uncle is the town police chief, Roy Bishop. Since her fake uncle is youngish, unmarried, and unhappy she's interfering in his case, she’s put up in a boardinghouse. Emma Lansing and Olivia Stansfield, two of the missing girls, came from a nice area; the wilder Skyler Santana lived in a trailer park with her alcoholic mother while her drug-dealing boyfriend, Joe Styles, worked on a GED at Harris. Shea immediately becomes friends with the missing girls’ buds, Kayla, Jenna, and Maddie. She fends off passes from Joe while recognizing his bad-boy appeal to young girls. Shea has no trouble fitting in and easily gains her new friends’ confidence. But she still suspects that they’re hiding information that could be the key to breaking the case. Even worse, she and Nick Stansfield, the brother who refuses to go back to RIT until Olivia’s found, fall for each other, and she hates herself for deceiving him. Redmond (A Means to an End, 2019, etc.) shows tensions mounting as Shea struggles for answers along with a town united in its resolve to find the missing girls.

A page-turner whose puzzling mystery and psychological drama are rooted in plausible descriptions of teenage angst.

Pub Date: April 7, 2020

ISBN: 978-1-64385-299-7

Page Count: 304

Publisher: Crooked Lane

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

PRETTY AS A PICTURE

Murder and mayhem plague a film set on a secluded island off the coast of Delaware in Little’s (Dear Daughter, 2015, etc.) sophomore thriller.

When film editor Marissa Dahl takes a job on a new film directed by the talented but temperamental Tony Rees, she’s not given a script and must sign a mile-long nondisclosure agreement. It’s not ideal, but she needs the work. Escorted by an attractive ex–Navy SEAL named Isaiah, Marissa arrives on Kickout Island to find a bustling set, headquartered at a beautiful hotel, that is cloaked in secrecy and beset with dysfunction. Once Marissa gets down to work, she realizes that picking up the slack from the previous editor, who was fired for unknown reasons, won’t be smooth sailing and that the movie is based on the real-life unsolved murder of aspiring actress Caitlyn Kelly 25 years ago on that very island. Most folks assume that an eccentric ferry captain named Billy Lyle, a friend of Caitlyn’s, was the killer, but there was never enough evidence to convict. A few people, however, think he may be innocent. Marissa sets out to discover what really happened to Caitlyn with the help of Isaiah and two intrepid, tech-savvy 13-year-olds—Grace Portillo and Suzy Koh, whose parents work for the hotel. What she finds is a dead body and a whole lot of trouble. Readers fascinated with the behind-the-scenes machinations of a movie set will be enthralled, plus there’s a frisson of romantic tension between Isaiah and Marissa, and the island setting lends some spooky atmosphere. Snippets from Grace and Suzy’s true-crime podcast, Dead Ringer, are also sprinkled throughout. Though a killer on the loose adds a fair bit of urgency in the second half, the main focus is on Little’s singular narrator. Marissa relates to the world primarily through film and considers herself anything but typical: “It’s possible I’ve spent so much time watching movies that the language of film has infiltrated some primal, necessary part of my brain. I catch myself processing my own emotions in scenes, in shots, in dialogue.”

A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

Pub Date: Feb. 25, 2020

ISBN: 978-0-670-01639-6

Page Count: 352

Publisher: Viking

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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