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In the Mind of Revenge

From the The Shamed series , Vol. 1

A somber revenge tale, but fronted by a protagonist both absorbing and sublimely complicated.

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A debut thriller tells the story of Shame, who survives a savage beating with a scarred, physically stronger body and a new mindset to seek justice for all who are persecuted.

School life for Shame, whose birth name is never revealed, was abominable. Peers’ baseless animosity and relentless torment seem derived from Shame’s androgyny. When Shame embraces the students’ epithet, The Shamed, by spray-painting it on a jacket, the resultant pummeling and mutilation leave the protagonist near death. Awakening from a coma two years later, the now-adult is heavily scarred and, as an unwitting guinea pig in experimental surgery, has most bones fused with a “special metal.” Though asserting an unemotional state, Shame heads to Baltimore to find Cassidy “Cassie” Peterson, an old friend and possible love in rehab at the time of Shame’s attack. Chance sightings of two of Shame’s assailants, however, open the door for retribution and torture. Shame even murders someone to avoid identification, and the trip to see Cassie eventually turns into evasion, especially with feds investigating those tortures. Shame makes a few friends but mostly encounters degenerates, the worst of the bunch turning out to be gangsters who think Shame killed one of their own. Finding Cassie and working up the courage to approach her takes a back seat when the thugs kidnap someone Shame’s just maybe grown to care about. Though Shame’s first-person perspective assumes reader sympathy is a certainty, some may not empathize so easily. The initial murder isn’t justified like the assailants’ comeuppance, and a few good people, by mere association, get the brunt of Shame’s intermingling with violent people. The protagonist, however, is fascinating, metal-infused bones putting Shame on the same level as bigger foes. Similarly, gender in the story is rightly meaningless when it comes to defining a person, even if nearly every male character is repulsive. The plot, at times, hits a standstill, readers essentially waiting as Shame decides when finally to reunite with Cassie. Nevertheless, Shame, who develops an attachment or two, is markedly less cold as the story progresses, while an implication of psychological illness—hearing voices of the dead—opens avenues of story possibilities. The cliffhanger ending is nothing short of electric.

A somber revenge tale, but fronted by a protagonist both absorbing and sublimely complicated.

Pub Date: Feb. 19, 2016

ISBN: 978-0-578-16606-3

Page Count: 246

Publisher: Dreams Into Reality Publishing

Review Posted Online: June 28, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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