by Liz Clark photographed by Liz Clark ; illustrated by Daniella Manini ‧ RELEASE DATE: April 1, 2018
Introspective and enlightening, Clark’s seafaring memoir offers a rare glimpse into the solitary worlds of sail and surf.
One woman takes to the waves on a journey of self-discovery.
Named by a surfing magazine as one of the “World’s Most Committed Surfers,” Clark chronicles how she captained her own boat in the pursuit of big water. She had considered going pro while majoring in environmental studies in college, but she found the pressures of competing disagreeable and dreamed instead of pursuing “more nature-saturated surf experiences.” Soon after finishing her undergraduate studies, the author received a happy windfall in the form of a 1966 Cal 40, a seaworthy 40-foot sailboat given to her by a dear mentor, a retired professor who was seeking to travel vicariously through her. Preparations to rig Swell for its new, 5-foot-4-inch, 110-pound captain took more than two years before Clark set sail from southern California, heading down through Baja and over to the South Pacific. “To the north: light, familiarity, comfort, safety, family. To the south: dark, unknown, doubt….It’s not the rogue waves or pirates I’m worrying about—it’s the thought of failure,” she writes, revealing her quest to be as much an interior journey as one driven by the desire to experience remote parts of the world. While for Clark “there’s nothing like the sensation of skittering down a water mountain,” much of her account centers on the trials and rewards of commandeering her own boat—from reckoning with unforgiving elements and near-constant equipment failures to navigating the challenges of being a woman traveling solo in the male-dominated world of cruisers—i.e., those “living and travelling on small boats for extended periods of time.” Throughout, the author clearly, if unexceptionally, describes her many experiences at sea and at more-and-less idyllic South Pacific ports of call, and she relies on copious color photos to set the stage and spark the “imagination” as to “what is possible.”
Introspective and enlightening, Clark’s seafaring memoir offers a rare glimpse into the solitary worlds of sail and surf.Pub Date: April 1, 2018
ISBN: 978-1-938340-54-3
Page Count: 320
Publisher: Patagonia
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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