Joining a bumper crop of gardening titles, this suffices without standing out.
A diverse, intergenerational community works together in an urban garden.
Scanlon’s spare, rhyming text reads like an upbeat playground chant: “Garden ready, / garden new // Garden so much / work to do!” Verses cheerfully acknowledge the garden’s denizens—humans, flora, and fauna—as well as the chores and patience that yield the harvest. Shin’s flat, minimalist paintings depict four square raised beds with a red picnic table at their center. Stylized plants, some identifiable, most not, populate the plots rather primly, with lots of soil in between; only the tomatoes vine and twine with genuine exuberance as days pass. Children work, but the littlest two primarily play—with small vehicles, water, mud, and the garden’s critters. Though many skin tones are represented among the seven gardeners, facial features are rudimentary: black dots for eyes, red triangular noses, black crescents and triangles for mouths. Outfits change throughout, adding interest, and readers can spot a toy garden gnome that appears frequently. As the group prepares to gather at the table for a big salad, veggies, and luscious strawberries, Scanlon closes with lines of metaphor and gratitude: “Garden growing like a child, / rosy, / leggy, / fresh, and wild— // Wild in this muddy mess, / garden, thank you…. // Garden, yes!”
Joining a bumper crop of gardening titles, this suffices without standing out. (Picture book. 3-6)Pub Date: March 3, 2020
ISBN: 978-1-4814-0350-4
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Save your dollars for other bee books, other princess books, other books.
Princesses reintroduce honeybees to a place that needs them.
While this sequel to Princesses Wear Pants (2017) is sure to generate buzz due to author Guthrie’s celebrity, it’s every bit as lackluster as its predecessor. Stilted, forced rhyme tells a convoluted tale of Princess Penelope Pineapple’s efforts to bring honeybees to Princess Sabrina Strawberry’s kingdom (the former girl is depicted as white, the latter as black). The text never explains how the Strawberry Kingdom lost its pollinators, and the story presents the crisis as limited to a gardening problem (how will they make smoothies?), while the solution to the smoothie catastrophe is merely a matter of moving some of Penelope’s bees there. A multiracial cast of princesses descends and concocts a perfume of sorts to lure the bees, whose numbers are oddly small in the digital illustrations. Once they successfully pollinate the flora, a year passes and the princesses have a tea party with fruit pies. Throughout, Byrne’s uninspired digital illustrations vary little in their visual perspective, resulting in a dull presentation of the redundant visual narrative. To make this poor book even worse, the bland three-paragraph backmatter note about the current crisis in the honeybee population offers little substance and no resources beyond advice to “ask your teacher or a local librarian to direct you to some books or online resources about honeybees.”
Save your dollars for other bee books, other princess books, other books. (Picture book. 3-6)Pub Date: Sept. 18, 2018
ISBN: 978-1-4197-3171-6
Page Count: 32
Publisher: Abrams
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
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