In this picture book, pink may be for boys, but colors are still not quite for everyone.



Pink, blue, yellow, and orange—all colors that are for boys, girls, popsicles, and unicorns.

With simple text and vibrant illustrations of racially diverse children playing together, this book introduces 10 colors “for boys. And girls.” For each new color, Pearlman shares an example of where to find the color: on sports uniforms, crowns, race cars, and teddy bears. Each color is presented in simple, repetitive text on verso (alternating which gender as specified first) with a vignette on recto and then on the next, full-bleed double-page spread. Kaban’s illustrations of children dancing, running, and flying on winged unicorns add an element of liveliness to keep the repetition from turning stale. Colored type that corresponds with the name of each introduced color encourages young readers to participate in the story. Although the book shares the message that “all colors are for everyone,” the lead-up to this conclusion perpetuates the notion that gender is binary. The statement that “PINK [or blue, yellow, etc.] is for boys. And girls” leaves out anyone who might not fit those categories until the end. Even the examples for pink and blue reinforce stereotypical associations for the colors, since pink is for “bows on fancy clothes” and blue is for “uniforms on a team.” For a book that aims at inclusiveness, this one misses the bull’s-eye.

In this picture book, pink may be for boys, but colors are still not quite for everyone. (Picture book. 3-5)

Pub Date: June 5, 2018

ISBN: 978-0-7624-6247-6

Page Count: 40

Publisher: Running Press Kids

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...


Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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It’s a bit hard to dance, or count, to this beat.


Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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