by Liz Murray ‧ RELEASE DATE: Sept. 7, 2010
An uplifting story of survival, often marred by maudlin writing.
The admirable story of a teen who overcame homelessness through sheer grit and the kindness of friends.
Murray’s memoir of extreme poverty and eventual academic success begins with her unenviable childhood, during which her parents were drug addicts living in the decaying Bronx of the 1980s. While Murray’s older sister was furious and distant regarding their life circumstances—which included a ritualized dependence on “check day”—the author so desired her parents' acceptance that she rationalized their addictions and poverty, even though it resulted in her being grotesquely unkempt and ostracized at school. Much of the narrative focuses on her mother, who “became giddy setting up their ‘works’ while she waited for Daddy to get back with the drugs.” Murray’s formative years become increasingly traumatic, as her mother was diagnosed with AIDS and then left her scholarly yet seedy father, who had served time in prison in the ’70s for an elaborate prescription-forgery ring. Meanwhile, her disintegrating family’s encounters with the state, including a stint in a group home for truancy, convinced the author that she would be better off homeless. “I had been inching my way onto the streets all along,” she writes, “through my every run-in with premature independence.” Murray left her mother’s surly boyfriend's cramped apartment at age 15 and stayed in a motel with her first love, whom she eventually realized was a violent drug dealer and user. Despite her precarious circumstances, following her mother's death, the author re-engaged with the educational process at an alternative high school and received a prestigious New York Times–sponsored scholarship and acceptance to Harvard. Murray ably captures the fearful, oppressive monotony of being a homeless teen, constantly hustling for places to stay, and her tale is a disturbing reminder of lives lost to addiction and poverty. However, the narrative’s effectiveness is undermined by a plodding pace and by reconstructed dialogue that feels artificial and unconvincing.
An uplifting story of survival, often marred by maudlin writing.Pub Date: Sept. 7, 2010
ISBN: 978-0-7868-6891-9
Page Count: 336
Publisher: Hyperion
Review Posted Online: June 28, 2010
Kirkus Reviews Issue: July 15, 2010
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by Liz Murray ; illustrated by Walid Serageldine
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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