Nugent hits exactly the right tone of empathy and optimism, but she can’t fully banish the darkness.
Sally Diamond is beginning to connect with the world after having lived an isolated life with her late father. Will she be able to escape the shadows of her traumatic past and their echoes in the present?
Sally’s father, a psychiatrist, diagnosed her as “socially deficient,” so although she’s 42, she’s always lived with him outside the small Irish village of Carricksheedy. He'd always said that she should “put [him] out with the trash” when he dies, so when it happens, she tries to burn his body in their incinerator. In the flurry of public attention that follows, ranging from concern about Sally’s ability to function on her own to outraged theories that she must have murdered her father and was trying to dispose of the evidence, a secret about Sally’s past is revealed. While she'd always known she was adopted, she didn’t realize that she was the child of Denise Norton, who was kidnapped at age 11 and brutalized for 14 years. By the time Denise and Sally were rescued from their captor, Denise was so traumatized that she took her own life. So in addition to coming to grips with her adoptive parents’ roles—her father was the doctor treating her and Denise all those years ago, and her mother was the nurse—she also begins to process the truth about her biological parents. With the support of her therapist and her friends, Sally begins to step outside her constricted life, all the while keeping her eyes open for any sense of threat after she receives a mysterious gift in the mail. Nugent also begins to weave in flashback chapters from the perspective of a young boy being raised by a father who has a woman locked up in a single room. Between these chapters and Sally’s exploration of her past, this tragic, disturbing story of generational trauma eventually unspools. Despite the grim subject matter, Sally is an appealing character—strange, yes, but also engagingly literal.
Nugent hits exactly the right tone of empathy and optimism, but she can’t fully banish the darkness.Pub Date: July 18, 2023
ISBN: 9781501189715
Page Count: 320
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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