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THE NIGHT LAKE

A YOUNG PRIEST MAPS THE TOPOGRAPHY OF GRIEF

A powerful, forthright chronicle of surviving profound loss.

A wrenching tragedy haunts a mother's life.

In her first position as a recently ordained priest, Tichenor was living in an Episcopal camp on the shores of Lake Tahoe with her husband, their 2-year-old daughter, and newborn son. One evening, she grew alarmed that her infant was in severe distress and rushed to see an emergency care physician. Assured that the baby was healthy, she returned home; hours later, her son died. In a memoir steeped in raw, often heartbreaking emotion, Tichenor recalls the horrifying event and its aftermath as she tries to draw upon faith and community for understanding and solace. From the first, she was astonished by people’s remarks and maudlin sympathy cards that reiterated “the trite explanation that ‘God needed another angel.’ ” Some parishioners, she noticed, “seemed to weirdly want me to take care of them, or who wanted to make it all seem all right, palatable, survivable, understandable, done.” She was exhausted, she writes, by the effort “to avoid the next sympathy attack.” Compounding her grief over her son’s death was the recent suicide of her mother, an alcoholic whose drinking, neglect, and erratic behavior had blighted Tichenor’s childhood. Her mother’s alcoholism, she writes, “was my inheritance, this the dark water I’d been swimming in for years.” Trying to survive those dark waters, Tichenor took up running, sought therapy, and leaned on the strength of a few stalwart friends; for a while, she sought the oblivion of alcohol. “I was angry at all I had been dealt,” she admits. “And I felt so very alone. Drinking didn’t make that go away. But with a drink in my hand, I didn’t have to feel as much.” Now, determinedly sober and a church rector, Tichenor acknowledges the persistence of grief over a death that “gutted me, sank me, its images flashing before my eyes, as I continuously relived it.”

A powerful, forthright chronicle of surviving profound loss.

Pub Date: Jan. 5, 2021

ISBN: 978-1-64009-406-2

Page Count: 336

Publisher: Counterpoint

Review Posted Online: Oct. 6, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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