Weaving together Caroline's and Maria’s journeys, Trenow meticulously stitches each piece of this engrossing story into a...
British author Trenow (The Last Telegram, 2013) methodically intertwines the lives of two women who live a century apart in a complex and poignant novel.
With understated eloquence and compassion, the author breathes life into the story of Maria Romano, a naïve young seamstress who’s spirited away from her job at Buckingham Palace to spend years of her life confined to a mental hospital. An orphan with exceptional needlework skills, Maria is pressed into royal service in 1911, when she's barely a teenager, and falls in love with Prince Edward, the eldest son of King George V and Queen Mary. Maria can’t believe her good fortune when he singles her out for attention—but then she gets pregnant. The young girl is scared but relieved when the housekeeper tells her she’ll be taken care of, and she’s instructed to gather her bag and get into a carriage. Maria packs up all her worldly possessions, including the beginnings of a patchwork quilt she’s pieced together from scraps of fabric she lifted from a palace cupboard, and assumes she’s being taken somewhere safe to await the birth of her infant. Rather than a regular hospital, however, she’s confined to a mental institution where she hazily recalls giving birth but is told her child died. As the reality of her situation sinks in, Maria attempts to run away, fails and retreats into her own soundless world until a volunteer's encouragement rekindles her interest in stitchery. After 50 years of institutionalization, Maria's childhood friend finds her and arranges for Maria to live in her home—and in 1970, Maria's story is preserved by a student interviewing ex-patients of the mental facility for a research project. Years later, Caroline Meadows struggles with a recent breakup, termination from her banking job and her mother’s descent into dementia as she cleans out the family home. Inside a suitcase, she finds a beautiful patchwork quilt once promised to her by her grandmother, and she’s compelled to explore the quilt’s origins. As Caroline uncovers its secrets, she discovers the threads that bind her to Maria, begins to understand the meaning of home and summons the courage to consider new directions in her life.
Weaving together Caroline's and Maria’s journeys, Trenow meticulously stitches each piece of this engrossing story into a unified—and heartwarming—whole.Pub Date: May 6, 2014
ISBN: 978-1-4022-8248-5
Page Count: 320
Publisher: Sourcebooks Landmark
Review Posted Online: March 3, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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