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ONCE UPON A WINTER DAY

Nature tells good stories if we only get outside and look around.

When a child’s mother is too busy for stories, he follows some tracks in the snow and makes up his own.

Milo’s angry face as he stomps out the door speaks volumes about his disappointment. But it isn’t long before he spies a mouse’s tracks under the birdfeeder and begins a journey of discovery. At the winterberry bush, Milo observes that all the red berries are gone and finds a single feather; “What had happened here?” A page turn allows readers time to guess: A flock of cedar waxwings (identified on the endpapers along with tracks and a few animals that readers will have to look very closely to find) flies over the tiny mouse, a single red berry falling to the ground. This pattern repeats, with Milo finding fallen hemlock branches (porcupines), clods of dirt (grazing deer), a smooth trail to the creek (otters), and wing prints in the snow (a narrow miss with a red-tailed hawk). The call of “Dinner time!” has Milo following the trail back to a hole in the snow by his house; a cutaway view shows a second mouse waiting under the woodpile. As Milo lays his treasures—a feather, an acorn, a hemlock branch, and a fish skeleton—on the table, he declines his mother’s offer of stories: He’s got one to tell instead. Both have pale skin and straight, dark hair. Pair with some children’s nature guidebooks to ignite imaginations. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 30.1% of actual size.)

Nature tells good stories if we only get outside and look around. (Picture book. 4-8)

Pub Date: Nov. 24, 2020

ISBN: 978-0-8234-4099-3

Page Count: 40

Publisher: Holiday House

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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