A work of historical fiction whose setting somewhat outweighs its plot.
Set in 19th-century Western Australia at the height of the pearl trade, this book paints a nuanced portrait of the era as the backdrop for a feminist epic.
In her debut novel, Pook introduces us to Eliza Brightwell, a pearler’s daughter living in the fictional Bannin Bay of Western Australia. Eliza stands out from the other women of Bannin Bay because of both her plain looks and her independent personality. She’s the sort to walk around town in battered boots rather than ride in a carriage like other ladies of her class, much to the disapprobation of the townsfolk. Eliza’s early days in Bannin Bay were marked by tragedy with the deaths of her mother and younger brother, and 10 years later, when her father’s pearl-diving boat returns from months at sea without him, Eliza refuses to accept his loss as well. She will stop at nothing to find her father, dead or alive. Her quest draws the reader into the tense social climate between colonizers and Aboriginals, the spectacular flora and fauna of Western Australia and Pacifica, as well as the perils of sea voyages at the time. While the setting for this novel is particularly well developed, the characters often feel a bit flat, and there are many missed opportunities. Eliza’s single-minded drive to save her family because of tragedy in her past feels familiar, and it doesn’t allow Eliza’s character to develop over the course of the book; her romantic relationship with a pearler named Axel barely registers. Pook sets up some intriguing female sidekicks—Eliza’s childhood friend Min, who becomes a prostitute, and deckhand Knife, who disguises herself as a boy—but their stories are not fully explored. For all of Eliza’s resourcefulness, gumption, and guilt, what’s missing is a little vulnerability.
A work of historical fiction whose setting somewhat outweighs its plot.Pub Date: June 14, 2022
ISBN: 978-1-982180-49-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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