Confusing sci-fi elements within an unconvincing romance.
Josie finds herself embroiled in a time-travel mystery in Ford’s (Black Moon Draw, 2014, etc.) latest series.
Josie’s visiting Tombstone, Arizona, with her aunt and uncle when she decides to take a quick survey for a $50 gift card—and the chance to talk to Carter, the attractive young man conducting the survey. The questions are unusual: “If you could go back in time to prevent atrocities such as the Trail of Tears experienced by the Native Americans...would you?” She agrees that she’d time travel to save lives in an instant, thinking nothing of it. But over drinks, Carter claims he’s got the power to actually do it: he can send her to 1842, where she could make one change to stop a million deaths. Tipsy, Josie goes along with the joke, letting Carter compare her with a Doctor Who companion and acting impressed when Carter tells her he could plant microchips in her brain that would give her access to historical data and the ability to speak all languages. She doesn’t suspect he’s telling the truth until she wakes up in the Wild West and is directed to find a Choctaw named Running Bear and another man named Taylor Hansen. On September 24, Carter says, one of them will start a war between settlers and Native Americans, and it’s up to Josie to stop it. Of course, Josie has no idea how to do this. Soon, she discovers that Carter’s microchip gives her access to the emotions and memories of those around her, living and dead. She realizes that she’s not the first person he sent back in time—and that the ones who came before her were murdered. Now she has to save herself, too. Josie describes herself as resembling “the perfect blond haired, blue eyed, bubbly cheerleader,” and there’s not much more to her character. Without Carter’s help and that of her convenient empathic abilities, she’d be helpless. And her romance with Taylor feels forced; he’s handsome, she trusts him for no reason, they have sex to fulfill the requirements of the genre. The premise is interesting, however, and hints of Carter’s mysterious agenda give the series something to explore in future installments.
Confusing sci-fi elements within an unconvincing romance.Pub Date: Nov. 20, 2014
ISBN: 978-1623781613
Page Count: 306
Publisher: Guerrilla Wordfare
Review Posted Online: Jan. 31, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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