A good—if unsurprising—alternative to relentlessly brutal Viking sagas.
A Norse tribe seeks opportunities and justice in the Old World and New in the second novel in a series.
Frey, the protagonist of Hill’s Frey’s Saga (2012), is now married, with a pregnant wife, Cassandra, the daughter of the widowed Trygve, the jarl, or ruler. The village is raided by the evil Magnus, and Cassandra is kidnapped, setting Frey on a quest to get her back. Meanwhile, Frey’s friend Auger has grown tired of the raiding life, and he and his family leave Norway and sail west, winding up in what will become the Maritime Provinces of Canada. There they meet the Mi’qmak, a tribe that proves welcoming—so welcoming, in fact, that intermarriage soon takes place. Magnus sells Cassandra to a trader who in turn gives her to his brother, Cole, an innkeeper in England and a good man. Frey travels to France and reverts for years to his previous life as a monk, praying that he will find Cassandra. Finally, miraculously, Frey reconnects with Cassandra (who has stayed faithful) and meets his son, Brian. The family ends up in the New World along with Auger and his new Mi’qmak acquaintances. Many readers will figure out early on that things will pretty much end well—and this novel won’t disappoint those looking for a happy ending. Bad guys are no match in a fight with good guys, lucky coincidences abound, and aged patriarchs usually die peacefully in bed, gravid with honors. It’s a romanticized view of Norse life and one hampered by clichés such as “love of his life,” “spread like wildfire,” and “stopped dead in his tracks.” Hill also keeps such a tight rein on her characters that her narrative might have held more interest if she’d taken a more adventurous approach and allowed them sometimes to rebel. That said, what some readers will find manipulative and cloying others will find heartfelt and heartwarming.
A good—if unsurprising—alternative to relentlessly brutal Viking sagas.Pub Date: July 2, 2018
ISBN: 978-1-984538-04-8
Page Count: 260
Publisher: Xlibris US
Review Posted Online: March 3, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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