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From Rum To Roots

Simplistic execution belies an emotionally charged narrative shaped by the main characters’ pasts and by Jamaican history.

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Two Jamaican immigrants find love and success together in America selling a popular tonic, but the pain they left on the island still impedes their happiness.

Linton McMann, the illegitimate son of a plantation owner and rum distiller, has grown up with his oppressive father refusing to acknowledge him publicly. Daisy Wellstead has no shortage of family in Kingston but just as much misfortune. After being raped, she finds herself traumatized and in an imperfect marriage with two children and an uncaring husband. As revolution brews on the island, individual tragedies force both to flee to America, where, by chance, they meet. Once married, Linton and Daisy start a profitable business selling a Jamaican tonic called roots, allowing them to finally live comfortably in their new life together. Yet both remain deeply unhappy, still haunted by what they left behind. Separated into two books, Francis’ debut opens strongly; its first half demonstrates a remarkable gift for ambiance and imagery. The novel captures Jamaica in the 1930s, as well as the island’s political and meteorological climate, while also painting a picture of New York. The skillful depiction of the tragic and violent is noteworthy—it’s always powerful and succinct but never exploitative. Daisy’s victimization and Linton’s tragic parentage evoke the same tone as a Greek tragedy. These themes and the impressive atmosphere aren’t as present in the more heavy-handed second half, which tracks a more introspective Daisy and Linton. Despite this incongruity, the novel’s two books complement each other, and they share the same brisk pacing. The lively dialogue makes ample use of Jamaican patois, along with slang and colloquialisms; such linguistic flourishes improve this moving portrayal of a troubled couple.

Simplistic execution belies an emotionally charged narrative shaped by the main characters’ pasts and by Jamaican history.

Pub Date: July 4, 2013

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: May 9, 2013

Kirkus Reviews Issue: June 15, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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