Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Returning fans, anyway, will pounce.
Houck kicks off a new story arc in the world of the Tiger’s Curse series with new tigers who live in a northerly setting.
The death of their widowed royal mother touches off a crisis in the Kievian Empire; neither Stacia nor Verusha Stepanov, 17-year-old sword-wielding twin sisters, wants to be named tsarina. But questions of succession get put on hold when a battle with a sorcerer inexplicably turns the two into nonspeaking Siberian tigers. Hints of a cure send them, along with a growing entourage of men to provide assistance (and, perforce, do all the talking), on a long trek. Though most of the cast sticks to genre type, Houck throws in a wild card in the form of hunky, inarticulate Nikolai, who joins the quest because he is enthralled by Verusha—and who also killed his whole family in an act of revenge. Occasional anachronistic dialogue (e.g., “Are you ready, ladies?”) disrupts the tale’s generally earnest tone, as do the clumsy attempts at banter. A third tiger, snarky and blind but conveniently able to see through others’ eyes, trots in late in the story. The events in this setup volume unfold with many a flashback and change in point of view and head toward no sort of resolution—only the cave-dwelling White Shaman of the Tundra’s advice that further journeys are in the offing. The central cast in this Russian-inspired fantasy world presents white; the Indigenous population includes nomadic reindeer herders.
Returning fans, anyway, will pounce. (Fantasy. 13-16)Pub Date: Sept. 10, 2024
ISBN: 9798212221696
Page Count: 350
Publisher: Blackstone
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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