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THE MERRY-GO-ROUND

An uneven tale of the occult.

In this debut novel, modern life clashes with African magic as a young British woman finds herself the target of her stepmother’s jealousy and animosity.

The opening lines of Kenani’s book set the stage for this strange tale: “Real zombies have no memory of taste, emotion or warmth. My name is Anne Hoboka. I was a zombie.” Anne is the protagonist and narrator, and this is the story of how she became, temporarily at least, a zombie. Her trouble begins when she accepts a warm invitation from her stepmother, Tamara, who lives in Johannesburg, to spend winter break with the family on a trip to Rio de Janeiro. The group includes Anne’s father, her two stepsiblings, and Tamara. Anne agrees to leave the cold of London, where she is a third-year university student, to spend some time in the sun. But the family vibes in Rio are unsettling. Her father spends most of the vacation reading while Tamara begins lacing into Anne for no discernible reason: “You always have to be the centre of attention, you always have to be in control, and you always fight!” Anne returns to London and begins to slip increasingly into a serious depression. Always a high achiever, she now starts missing classes; she stops eating; she loses her boyfriend, Fritz. This ambitious tale offers a captivating premise and the tantalizing seeds of an engrossing mystery with an intriguing heroine—an inside look at the gradual breakdown of a psyche. Unfortunately, Kenani doesn’t build a framework through which to understand Anne or the relationships between family members, who are scattered from South Africa to Sweden. There are no referential backstories. It is difficult to comprehend why Tamara’s treatment of Anne results in such a total deterioration of her mental state. And Fritz’s repeatedly bland reactions to Tamara’s cruel phone rants—at one point, he says that maybe “she’s trying to help you”—are additionally puzzling. Anne has become paranoid. But is she delusional, or has she been placed under a curse? This question provides strong narrative potential. But the prose, overloaded with mundane, day-to-day details, lacks enough energy to create a compelling drama.

An uneven tale of the occult.

Pub Date: Oct. 20, 2016

ISBN: 978-1-5333-5264-4

Page Count: 212

Publisher: CreateSpace

Review Posted Online: Jan. 20, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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