# MEASURING PENNY

A terrific pedagogical idea from Leedy (Mission: Addition, 1997, etc.) that offers instruction and no small dose of delight. Lisa’s teacher assigns the middle graders to measure something both in standard units, e.g., inches and teaspoons, and in nonstandard units, e.g., in pencils or toes. Lisa measures her Boston terrier, Penny, discovering that Penny’s ear is one cotton swab long (a basset hound’s is three), and that she can jump as high as Lisa’s waist. Other measurements are given in dog biscuits, centimeters, and the time it takes, for example, to walk Penny or to see her dash from her bed to her dish (six seconds). The illustrations, done in a primitive style with acrylics, offer solid figures and recognizable dog breeds; the design is carefully thought out and very clear. Readers will be inspired to measure their own pets; it will be up to their pets, of course, to cooperate. (Picture book. 6-9)

Pub Date: March 1, 1998

ISBN: 0-8050-5360-3

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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# THE GREEDY TRIANGLE

Here is a basic lesson in geometrical shapes disguised as entertainment. It aspires to nothing more, and just barely succeeds on its own modest level. The premise is that a busy triangle gets tired of its life and goes to a shapeshifter for an extra angle. Life as a quadrilateral is exciting for a while, but soon the protagonist requires another angle, and—the etceteras take readers through the final two-thirds of the story. Burns (The I Hate Mathematics! Book, Little, 1975, etc.) is wise enough to summarize everything past the hexagon stage. Notes on mathematics for adults working with children appear in the final pages. Newcomer Silveria takes the obvious approach to the illustrator's quandary—how to humanize an abstraction—by adding cute oval eyes and chubby cheeks. His creation comes off like a candidate for the Olympic mascot tryouts; he has a good color sense, and goes full throttle on every page. This installment of the ``Marilyn Burns Brainy Day'' series is static, simplistic, and too long by half—but finding fault with it as a work of art is like looking for character development in a Barney episode. (Picture book. 6-9)

Pub Date: March 1, 1995

ISBN: 0-590-48991-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1995

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

# AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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# WHAT DO YOU DO WITH A TAIL LIKE THIS?

Not only does Jenkins (Life on Earth, 2002, etc.) again display a genius for creating paper-collage wildlife portraits with astonishingly realistic skin, fur, and feathers, but here on alternate spreads he zooms in for equally lifelike close-ups of ears, eyes, noses, mouths, feet, and tails. Five examples of each organ thrusting in from beyond the pages’ edges for each “What do you do” question precede spreads in which the point of view pulls back to show the whole animal, with a short accompanying caption. Visual surprises abound: a field cricket’s ears are actually on its legs; a horned lizard can (and does, here) squirt blood from its eyes as a defense mechanism; in an ingenious use of page design, a five-lined skink’s breakable tail enters and leaves the center gutter at different points. Capped by a systematic appendix furnishing more, and often arresting, details—“A humpback whale can be 50 feet long and weigh a ton per foot”—this array of wide eyes and open mouths will definitely have viewers responding with wide eyes and open mouths of their own. (Picture book/nonfiction. 6-9)

Pub Date: March 24, 2003

ISBN: 0-618-25628-8

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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