A useful, relatable introduction to mindfulness for kids.


In this illustrated children’s book, an anxious boy gets help from a friend who teaches him mindfulness practice.

Fourth-graders Mikey, a white boy, and Nia, a black girl, are neighbors and best friends, but they have different approaches to life’s problems. Mikey is a worrier, always afraid something bad will happen, and this keeps him indoors and lonely. He distracts himself by playing on his electronic tablet, but he often gets so absorbed that he doesn’t hear his mother call him for dinner, which annoys her. Nia, on the other hand, loves to live in the moment: “She calls this ‘being mindful,’ and it is her superpower!” notes the third-person narrator. After noticing that Mikey is unhappy, she resolves to help him by teaching him about mindfulness and how to practice it himself. He agrees to give it a try, and Nia takes him through the process, step by step. He learns that he can handle his feelings, make better choices, and focus, and he’s more attentive to his mother, pleasing them both. Mikey resolves to practice his new “superpower” regularly, which makes him happier and keeps him out of trouble. A note to parents and teachers explains how to use the book with kids, offering more background, questions to consider, and examples of mindfulness practice. In her debut, Dolinar, a psychotherapist, explains in clear, simple language how readers can slow down and pay attention to the present. (The book doesn’t address the issue of kids with more serious attention-related issues, such as ADHD, but clinical studies have shown mindfulness training can be effective in such cases.) The author shows what to do when intrusive thoughts arise, as they will: “Always look and take notice of them, but don’t hang on to them for long.” Introducing the subject through a friend rather than a parent, teacher, or therapist is a nice touch that may help readers feel more comfortable with a new technique. Barinova’s (The Story of Emi, 2018, etc.) images are cartoonlike—simple lines, oversized heads—and include appealing details and a calming, peach-and-light-blue color palette.

A useful, relatable introduction to mindfulness for kids.

Pub Date: May 15, 2019

ISBN: 978-1-5255-3611-3

Page Count: 44

Publisher: FriesenPress

Review Posted Online: Sept. 5, 2019

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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