by Lorene Cary ‧ RELEASE DATE: May 7, 2019
Thoughtful reflections on pain, love, and family.
A grandmother’s death reveals complex emotions and a tangled family history.
Growing up in Philadelphia, novelist Cary (Creative Writing/Univ. of Pennsylvania; If Sons, Then Heirs, 2011, etc.), founder of Art Sanctuary and SafeKidsStories.com, was doted upon by her wealthy, elegant grandmother, spending delightful weekends in her spacious New Jersey home. “Yes, yes, yes, I knew that I was being spoiled,” the author admits. Only later did she discover that the woman who indulged her was more complicated and difficult than she had realized. In a candid, sensitive memoir, Cary chronicles her 100-year-old grandmother’s last year, when she lived with the author and her family. It was a stressful period that tested Cary’s patience and love and motivated her search for the “truth and lies, business and money, and communal and racial memory” that made up her grandmother’s long life. Besides accompanying her grandmother to concerts and museums as a child, she also rode along “in Nana’s latest late-model car” to collect rents from her tenants in Philadelphia, who lived in apartments “Nana would not have wanted to live in.” When she asked about the disparity, Nana told her “this was business.” Yet the hard-nosed rent collector (she once told a tenant who complained about mice to get a cat) also administered a scholarship fund for black students and set aside a storage room “to save people’s furniture for them after evictions.” Her treatment of family could be harsh, as well: She feuded with her son—Cary’s father—reconciling only when she was near death; and she treated her husband with condescension. As her health worsened, she became combative. Although she had survived serious illnesses and a car crash, degenerative heart disease finally undermined her apparently indomitable life force. Cary recounts Nana’s increasing weakness as well as the enraged demands—for particular foods and constant attention—that generated Cary’s own debilitating physical responses. She recounts, as well, her negotiations with nurses, kind hospice workers, and Medicare’s frustrating bureaucracy, experiences familiar to many caregivers.
Thoughtful reflections on pain, love, and family.Pub Date: May 7, 2019
ISBN: 978-0-393-63588-1
Page Count: 256
Publisher: Norton
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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