A slave seizes her chance to be free, taking two of her three children with her, and finds that freedom for an African-American woman in the 1850's is not without trials and temptations—in this smooth and sincere, yet overly placid, fictional debut from memoirist Cary (Black Ice, 1991). When Virginia Pryor's master takes her along to warm his bed as he takes up the post of ambassador to Nicaragua, she wastes no time in making her move. During a short stop in Philadelphia she contacts the local Vigilance Committee and with their aid boldly escapes in broad daylight—an event marred only by her knowledge that she leaves her favorite boy still in bondage in Virginia. Changing her name to Mercer Gray, she goes into hiding among the Quick family, a prosperous if contentious Philadelphia clan dominated by patriarch Manny, greedy and bilious though weakened by a stroke. Mercer starts a new life with her children, but her case gains notoriety when her ex-owner brings charges against all who took part in her flight, especially a prominent white abolitionist, who is jailed before being brought to court. In response, Mercer does a lecture tour of New England to stir public sentiment in her favor, proving herself an inspired speaker. Not even her oratorical skills, however, can save her from a pro-slavery mob at her last stop in Pennsylvania, where she has to be rescued by Tyree, the smitten but ill-married Quick family scion, who brings her back to Philadelphia for a night of single, wishful passion. Mercer and her children then head north to Canada, but Tyree, head of the family after Manny dies, sends with them a measure of his love: the remains of the Quick fortune, just enough to purchase Mercer's son's freedom. The history here has depth, but characters for the most part don't, and dramatic touches are rarely potent enough to give pause. Well-intentioned, then, if not noteworthy.
Pub Date: June 1, 1995
ISBN: 0-679-42106-8
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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