A satisfyingly creepy psychological thriller.
A troubled heiress is charged with the murder of her newlywed husband.
Two years after the drowning of her young daughter and the subsequent collapse of her marriage, Ellie Tyler is beginning to put her life back together. She meets Martin Cresswell-Smith, a property developer, in the lobby of the hotel her family owns in Vancouver following a disastrous dinner with her father. Martin seems to offer all that Ellie needs: a second chance after years of self-medicating through her depression and a bit of romance. Ellie ignores slight indications that Martin might not be all he claims to be and offers to become an investment partner in his struggling plans for a resort development in Australia, which she can fund because of her father’s wealth. The two marry quickly, but once Ellie arrives in Australia, everything unravels. Death threats toward the couple signal the resort is clearly not wanted by the community, and Martin becomes abusive. Ellie suspects he might be drugging her to disorient her. But before she can determine what to do, Martin’s brutally stabbed and tortured body is found floating in the marsh he owns, and Ellie becomes the prime suspect. In her latest thriller, White deftly shifts from the present-day murder trial to flashbacks of Ellie and Martin’s relationship, as well as from Ellie’s point of view to that of Lozza Bianchi, the local police officer investigating the murder. This page-turner is tightly written with a moody sense of place in the small coastal community, but it is the numerous twists that will keep readers thoroughly absorbed.
A satisfyingly creepy psychological thriller.Pub Date: Oct. 27, 2020
ISBN: 978-1-5420-1969-9
Page Count: 367
Publisher: Montlake Romance
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
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