An excellent and understated portrayal of grief from a child’s perspective
Something as simple as a stopwatch can start, stop, and restart a lifetime of memories.
A young child with pale skin and dark hair holds a stopwatch and slumps, despondent, on a porch. Grampa has recently passed away, and the child is in the throes of sadness and loneliness. Together, they had used the stopwatch to record various activities in minutes and seconds, like the child’s eating bubble-gum ice cream, Grampa’s snoring on the couch, both eating oatmeal-raisin cookies, and more. Those seconds and minutes represented a deep, intergenerational friendship, the absence of which is keenly felt by the young child. Unable to bear this loss, the child buries the stopwatch in a drawer and experiences anger, bargaining, denial, even depression—rarely so clearly characterized in picture books for young readers. Time heals most wounds, and, as the seasons pass, the time comes at last when new memories can be made using Grampa’s favorite stopwatch. Told in honest, first-person prose, this story gently confronts this first journey through loss, offering sensitive conversation starters for families. Muted, poignant illustrations rendered in paint and both colored and graphite pencils effectively depict this difficult yet all too common experience. The child’s face in particular, though simply drawn, evokes a range of emotions—at once poignant and comprehensible.
An excellent and understated portrayal of grief from a child’s perspective (Picture book. 4-7)Pub Date: April 7, 2020
ISBN: 978-1-5253-0144-5
Page Count: 32
Publisher: Kids Can
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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