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FALL LEAVES

Skip the small print and linger instead on the seasonal glory unfolding as the pages turn.

Autumn arrives in a series of three-dimensional tableaux created from cut yupo (plastic) paper and ink; illuminated from varying angles, the vignettes are cleverly photographed and cropped for dramatic effect.

A redheaded boy and girl play in a treehouse, bike through the countryside, watch birds take flight and dance with umbrellas in scenes that include intense light or brilliant autumnal colors. The duo is generally in sharp focus, while borders and backgrounds are blurred, a decision suggesting depth, motion or otherworldliness, depending on the composition. The text has two layers. On one level, the large, two-word concepts that function as headings on each verso could be read as the sole verbal narrative. There is a playful quality as a word’s meaning changes relative to its use as a noun or verb: “FLOWERS LEAVE / APPLES FALL / LEAVES FALL / FALL STAYS / LEAVES LEAVE.” Although this verbal chain misses some opportunities for more artful linkages, the real problem lies with the second layer of text. Holland tries to provide scientific explanations about the Earth’s rotation, chlorophyll, hibernation, etc., without the benefit of diagrams or much in the way of scientific context. The effect is a lengthy muddle of didactic distraction that is not appropriate for the target age or the ethereal illustrations.

Skip the small print and linger instead on the seasonal glory unfolding as the pages turn. (activity) (Picture book. 3-6)

Pub Date: Sept. 2, 2014

ISBN: 978-0-544-10664-2

Page Count: 32

Publisher: HMH Books

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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