A tantalizing but disconnected sampler that hints at the range of contributions of 20th- century Hispanic authors and artists to this country's culture. On a foundation of reminiscences—Marco Rizo on his boyhood chum, Desi Arnaz, and Carnival in Santiago, Cuba; novelist Susan Lowell remembering her strong-minded grandmother; Oscar Hijuelos celebrating the ubiquitous street music in Spanish Harlem—cemented with brief introductions, Carlson (American Eyes, 1994, etc.) assembles anecdotes, photos, cartoons, poetry (some bilingual, with all Spanish translated), art, and essays from over two dozen contributors, on such diverse topics as music, racism, Operation Bootstrap's 1950s sterilization program in Puerto Rico, and the tin folk art called hojalateria. As the arrangement is broadly thematic and the editor stingy with dates, it's usually hard to tell an author's—or a piece's—age, and there is no sense of dialogue or historical development in the collection. Carlson declines to cite her sources or offer suggestions for further reading or viewing; her intent seems to be to pay tribute rather than to open a gateway for young readers. Parts of this are better than the disappointing whole. (b&w illustrations, not seen) (Anthology. 10-13)
Pub Date: June 1, 1996
ISBN: 0-8050-4120-6
Page Count: 124
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)
Pub Date: Aug. 17, 2010
ISBN: 978-0-06-196955-3
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Aug. 1, 2010
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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