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MURDER IN FIRST POSITION

AN ON POINTE MYSTERY

A graceful mystery that pirouettes around a cast of entertaining narcissists.

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  • Kirkus Reviews'
    Best Books Of 2021

Metaphorical back-stabbing in a ballet troupe leads to the real thing in this whodunit.

The sprightly first installment of Robbins’ On Pointe Mystery series finds Leah Siderova, a 30-something principal dancer in New York City’s American Ballet Company, hoping to make a comeback from knee surgery by starring in hot choreographer Bryan Leister’s new work. She loses out to Arianna Bonneville, the company’s new ingénue, 10 years her junior and possessed of superlative talent and sly cruelty. (“I used to watch you dance when I was still a little girl,” she purrs to Leah.) When Leah finds Arianna in the costume room with dress shears planted in her back, all signs point to her as the perp because 1) she clumsily put her fingerprints on the murder weapon; 2) the whole company heard her threaten to cut the victim down during a tiff; and 3) when asked who attacked her, Arianna murmured “Leah” before expiring. Shrewd, handsome police detective Jonah Sobol likes Leah for the crime, and even her Uncle Morty, a lawyer, thinks she should cop a plea. But she’s determined to prove her innocence by finding the real killer. The suspects include Zarina Devereaux, an amoral French ballerina and rival of Arianna’s; various men and women who may have been sleeping with or jealous of the two dancers; and many corps de ballet peons whom the victim tormented. With the police closing in, Leah goes on the lam in disguise to continue her investigation—and discovers a world of salt-of-the-earth types very different from the ruthless denizens of her dancer’s bubble. In this limber yarn, Robbins, an ex–ballet dancer and author of Lesson Plan for Murder(2017), deploys her tartly witty prose to offer a delicious, well-observed sendup of the ballet world. The plot has red herrings, arbitrarily withheld evidence, and third act problems, but that doesn’t detract from the fun of watching Leah navigate atop her aching, blistered feet through the labyrinth of balletic cattiness and vanity (Zarina “peered around my shoulder to look in the mirror that hung behind me, checking to see that she was still as beautiful as she was five minutes earlier”). Readers will root for Leah as she sleuths her way through the troupe’s comic excesses.

A graceful mystery that pirouettes around a cast of entertaining narcissists.

Pub Date: Nov. 24, 2020

ISBN: 978-1-947915-74-9

Page Count: 260

Publisher: Level Best Books

Review Posted Online: July 20, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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