A timely thriller that will stay with the reader long after the last page has been turned.

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GONE TOO LONG

White supremacy and family secrets fuel the latest Southern gothic thriller by a two-time Edgar Award–winning author.

Imogene Coulter has spent most of her life in Simmonsville, Georgia, a small town named for her mother’s family—a family known for its connection to the Ku Klux Klan. Imogene’s great-great-grandfather helped to revive the Klan in 1915. Edison Coulter—the man Imogene calls Daddy—led the Knights of the Southern Georgia Order. Her brother, Eddie, her sister, Jo Lynne, and Jo Lynne’s husband, Garland, are active members. Imogene has tried to distance herself from this legacy, and, for her mother’s sake, she has tried to make peace with the full breadth and depth of her family’s cruelty and corruption. Then Edison dies and Imogene finds a small child living in a boarded-up house on the family's farm. As she struggles to find the identity of this child, she uncovers a host of other crimes. The closer she gets to the truth, the harder she has to fight to protect herself and everyone she loves against competing factions within the Klan. Imogene finally discovers that her terrible heritage is something she must fight against rather than repress. Roy (The Disappearing, 2018, etc.) takes her time weaving in backstory and letting her characters reveal themselves, and thriller fans who read for plot might get a bit impatient. But those who settle in will be rewarded with a riveting mystery, brilliantly crafted and weighted with real-world resonance. The fact that hate groups are resurgent in the United States emerges as an essential element of this novel. The narrative is interspersed with brief historical notes beginning with the origins of the KKK—and ending with the 2017 Unite the Right rally in Charlottesville.

A timely thriller that will stay with the reader long after the last page has been turned.

Pub Date: June 25, 2019

ISBN: 978-1-5247-4196-9

Page Count: 352

Publisher: Dutton

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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